Galerie Max Hetzler
12.02. - 16.04 2011


Bridget Riley may be best known for her optical black and white paintings – now synonymous with the 1960s – but in the stunning colour work that followed she continued her exploration of perception through the relationship between structure and colour.



Credits (from top): all Courtesy the artist and Galerie Max Hetzler: Installation View // Blue Return, 1984 // Shimmered Shade, 1990 // Painting With Vertical Cadence 3 Silver Painting, 2006 // Pink and Three Others, 2009 // Painting with Circle 1, 2010 //