Schinkel Pavillon
08.10. - 27.11.2010
"My work has always been very much involved with sculpture in the sense that it's about defining something in space and time, very much about our relationship to it, our distance to that thing. I still feel that I have the same concerns, except that I've moved into subject matter. (...) I'm interested in that gap between minimalism and pop art: the objectness and autonomy of minimalism and the subject matter from our culture that's in pop art. But there is also a link to conceptual art. It's more about the content than the form, it's the same whether it's performance, films, records, etc. and a lot of the experience take place in your head. Real time and real space don't matter."
Excerpt from: Morgan Fisher, ‘Talking with Jack Goldstein’, published in: LAICA Journal, No. 14, Los Angeles, 1977
08.10. - 27.11.2010
"My work has always been very much involved with sculpture in the sense that it's about defining something in space and time, very much about our relationship to it, our distance to that thing. I still feel that I have the same concerns, except that I've moved into subject matter. (...) I'm interested in that gap between minimalism and pop art: the objectness and autonomy of minimalism and the subject matter from our culture that's in pop art. But there is also a link to conceptual art. It's more about the content than the form, it's the same whether it's performance, films, records, etc. and a lot of the experience take place in your head. Real time and real space don't matter."
Excerpt from: Morgan Fisher, ‘Talking with Jack Goldstein’, published in: LAICA Journal, No. 14, Los Angeles, 1977