Installation view at De Pont Museum of Contemporary Art, Tilburg (NL)
Two Younger Women Come in and Pull out a Table surveys the multifaceted strand of painting in the artist’s tremendous body of work. A decade of large-scale works on canvas will be on view alongside site-specific interventions in different mediums: voluminous polystyrene objects, textile accumulations, oversized balloons and the walls of the museum are all used as carriers of images.
Installation views at De Pont Museum of Contemporary Art, Tilburg (NL)
The factory hall of the former wool mills, which forms the kern of the exhibition, is taken up by an extensive, color-intensive installation. Bunches of grapes, made out of large PVC and latex balloons, and measuring four meters in size float under the historical ceiling construction. This gigantic labyrinth corresponds with the towering laminated polystyrene objects that occupy the museum’s entrance hall. The sheer magnitude and structure of these bodies render it impossible to capture the work in its entirety from a singular point of view. Here, seeing necessarily implies movement in space.
Credits: Installation view at De Pont Museum of Contemporary Art, Tilburg (NL); Photos: Peter Cox; ©Katharina Grosse + VG Bild-Kunst Bonn, 2013
Credit: James Franco, Gay Town, 2012; courtesy Peres Projects
In a temporary exhibition space on the historic Karl-Marx-Allee in Berlin, Peres Projects is presenting Gay Town – a solo project with James Franco. Exploring a variety of themes central to the artist’s practice, Gay Town is devoted to issues related to adolescence, public and private persona, stereotypes and other societal concerns such as society’s preoccupation with celebrity. James Franco created many of the artworks in hotel rooms, makeshift studios and other temporary locations whilst completing other projects, mainly motion picture work. Working across media including painting, drawing, film, sculpture, installation and photography, Franco elects the media that best fits the project rather than committing to a sole artistic practice.
Credits: James Franco, Untitled, 2012; courtesy Peres Projects
In the course of summer expeditions, selected artists from the areas of music, performance and other cultural fields experience and revive urban spaces. The dernier cri is the focus of this year’s Sound Development City expeditions – it allows for an independent exploration of themes and modes of expression in the perception of the three cities. The work resulting from this exploration will in part be shown in public. With: Jana Burbach (Zürich, Theater, Performance); Ariel Bustamente (Chile, Public Acoustic Experiments); André Castro (Lissabon/ Amsterdam, Networked Media Design); Donald Deadalus (New York, Art, Sound); D-Fuse (Michael Faulkner/Matthias Kispert – London Sound and Video Art); Maria Guggenbichler (München/ Amsterdam, Art, Ideas, Music, Books); Israel Martinez (Mexiko, Multidisciplinary Art, Electronic Music); Katharina Rohde (Berlin, Architecture, Art, Activism); Steve Rosenthal (London, Visual Art); Evelynn Trouble (Zürich, Music).
Photos © Julian Röder/ OSTKREUZ
SOUND DEVELOPMENT CITY
On the last weekend of June (29. – 30.) in Berlin and the first weekend of July (6. – 7.) in Paris, the fourth edition of Berlin-Paris, a gallery exchange project illuminates the artistic tendencies of the two capital cities by presenting around 60 artists and creating new impetuses through its selection of galleries. One of the new features introduced in this year´s edition is the involvement of artistic interventions organized by the curator collectives The Office and Le Bureau/.
CARLIER | GEBAUER – MARCELLE ALIX
CHERT and MOTTO – CNEAI=
GALERIE CAMPAGNE PREMIÈRE – EMMANUEL HERVÉ
GALERIE ULRICH FIEDLER – JOUSSE ENTREPRISE
GALERIE ZINK – ALMINE RECH GALLERY
KLEMM’S – TORRI
MEHDI CHOUAKRI – GALERIE 1900-2000
Credits: Mark Hagen: Additive Painting #73, 2011 | Pierre Jeanneret Group: Kangoo Sofa, 1960, Courtesy Jousse Entreprise/ Photo Adrien Dirand | Yona Friedman: Architecture without building, Edition CNEAI, 2012 | Jérémie Gindre: Entrance to Cavern, 2012, Courtesy Chert, Berlin | Sophie Nys: Parque do Flamengo, 2012, Courtesy Galerie Emmanueal Hervé.
BERLIN-PARIS, THE OFFICE
Credit: Matthey Barney: cremaster 3: plumb line, 2001, courtesy the artist
Christoph Schlingensief worked on the idea for the Operndorf Afrika (Opera Village Africa) from 2008 onwards. He conceived it as a place for intercultural encounters and experiments, as well as an artistic reservoir for the future. Auktion 3000 at Hamburger Bahnhof – Museum für Gegenwart in Berlin will help the Operndorf Afrika to grow. Numerous internationally renowned artists donated works for this fundraiser, among them Marina Abramovic, Matthew Barney, Pipilotti Rist, Olafur Eliasson, Andreas Gursky, Patty Smith, Wolfgang Tillmans, and Günther Uecker.
Credits: Elmgreen & Dragset: top & bottom, 200, courtesy the artists | Patti Smith: untitled (door), 2010 | Andy Hope 1930 kara zor-el, 1998-2004
AUKTION 3000, CHRISTOPH SCHLINGENSIEF
Image ©Schinkel Pavillon
Art, in Saâdane Afif’s highly reflexive practice, becomes words, music and movement, metamorphosing from one art form into another with the help of talented collaborators. Inviting writers to respond to physical artworks, and musicians and actors to respond to their texts, Afif transposes the visual into other senses, projecting the imaginary expense of a piece through the interpretations of others. At Schinkel Pavillon his work completes a full circle, turning lyrics formed in response to previous pieces, by way of performance by Katja Schrade and porcelain by Nymphenburg, into sculpture, and in doing so sealing the process.
Credits: Performance Image ©Schinkel Pavillon | In the making, courtesy the artist
From 7 – 11 September 2011 abc art berlin contemporary addressed the topic of painting, featuring over 130 artists from 125 galleries. ‘About painting’ surveys contemporary painting practices, presenting not only works on paper or canvas, but also videos, photographs and sculptures that deal with the classical medium.
Credits: David Diao, Salon 2, 2010 | Michael Fullerton, The Bitch Messed With His Head, 2010 | Hans-Peter Feldmann, Maler mit Palette, Augen mit schwarzem Balken | Rokni and Ramin Haerizadeh, Collage and painting on magazine covers and inside pages, various sizes, 2011 (installation detail) | Rineke Dijkstra, Rut Drawing Picasso, Tate Liverpool, 2009 (video still)
ABC ART BERLIN CONTEMPORARY
The group show featured works by the staff of the infamous Berghain. The exhibition took place in the latest addition to the Berghain complex, the KUBUS.
Photos: Installation views ALLE, ©Eric Tschernow
In cooperation with the Haus der Kulturen der Welt, the German Federal Cultural Foundation initiated the multi-part ÜBER LEBENSKUNST project, which has been bringing together actors from a wide range of disciplines to identify existing strategies and develop models of sustainable living fit for daily life. During the 101-hour Festival ÜBER LEBENSKUNST artists, scientists and activists turned the Haus der Kulturen der Welt into a place where visitors can try out the sustainable “art of living”.
Images ©Haus der Kulturen der Welt
ÜBER LEBENSKUNST, HAUS DER KULTUREN DER WELT
Credit: Friedrich Kunath, Run Away (Going To Aspen), 2011
Friedrich Kunath’s work focusses on universal themes of the human condition: love, loss, loneliness, optimism and dejection, all imparted with tragicomic pathos. Apart from the installation on the main exhibition room, the artist also installed a bar in the entrance hall of Schinkel Pavillon.
Installation view ©Schinkel Pavillon; Bar, Friedrich Kunath
Credits: Friedrich Kunath, Untitled, 2009 | Friedrich Kunath, Eat, Drink, Remarry, 2009