“I’ve been giddy ever since birth. I feel like I’m standing on a planetary sphere that has no scale or direction, no above or below.” – Felix Kiessling
Extensive fieldwork and research into our natural surroundings is a constant force inherent in Felix Kiessling’s subversive practice. Perception of space, our visible environment and “man-made truths” are there to be challenged and consequently defied. In his solo exhibition Neuordnung II at alexander levy gallery, Kiessling almost playfully interacts with the world, trying to overcome physical limits in regards to pre-existing relations. For one of the pieces on show, Erddurchstechung (global piercing), the artist anchored and aligned two metal pipes vertically in the ground at two precisely antipodean points of the Earth, in order to shape an imaginary connecting line. Thus, two points that couldn’t be physically further apart from each other, merge into one. Dividing lines of geographical and socio-political nature dissolve, giving way to a theoretical unity and interconnectedness on a global scale. The oft-appearing element of hubris reminds us of our placement in the world, in terms of space and time, and demonstrates that the planetary laws and realities we’ve shaped are not indisputable.