Founded in the early ’90s, in a derelict margarine factory, shortly after the fall of the Berlin Wall, the KW Institute for Contemporary Art has come to be seen as a symbol of Berlin’s artistic development. After 25 years, it continues operating as a lively platform for progressive art practices, and a meeting place specialised in experimental discursive programming. As part of a larger institutional restructuring process under the new directorship of Krist Gruijthuijsen, every part of KW’s 2017 program of exhibitions and events is filtered through the lens of artistic vision. The new program emphasizes dialogue and experimental uses of language, fostering visible exchange between artists and audiences in Berlin, and beyond. Ongoing investigations into singular art practices or thematics form the basis for corresponding commissions and exhibitions. The open-endedness and collaborative nature that lies at the core of the establishment’s mission creates a profoundly inclusionary place that invites numerous voices, and narratives to unfold through its program and the conversations it inspires in its audience. Thus, KW continues to push beyond the confines of the physical building through artistic commissions and events. Inviting artists to interfere with its physical space is an inextricable element of the institute’s approach. One of the most recent site-specific artworks, Philippe Van Snick’s intervention on the entrance gate, complements already existing pieces like Dan Graham’s glass pavilion housing Café Bravo, Renata Lucas’ pavement restructuring outside the main building, as well as the iconic garden by atelier le balto that has returned to the courtyard.