Feature, 28.01.2017

Language and Dialogue as a Form of Art — Ian Wilson and Hanne Lippard at the KW Institute for Contemporary Art
Jan 20 – Apr 9, 2017

Hanne Lippard, Flesh, 2016, Installationsansicht KW Institute for Contemporary Art, Courtesy die Künstlerin und LambdaLambdaLambda, Prishtina, Foto: Frank Sperling

Hanne Lippard, Flesh, 2016, installation view KW Institute for Contemporary Art, Courtesy the artist and LambdaLambdaLambda, Prishtina, Photo: Frank Sperling

The reopening of the KW Institute for Contemporary Art is marked by a series of exhibitions reflecting on the work of South African artist Ian Wilson, who explores spoken language as an art form and places great emphasis on dialogue. In Wilson’s non-tangible practice, language morphs into the quintessential vehicle for communication and knowledge. To highlight the importance of his objective in relation to the role of language, three selected artists have been invited to concentrate on different aspects of his artistic output and use them as inspiration for the production of new work. First in line to delve into the topic is Norwegian artist Hanne Lippard with the immersive installation Flesh that takes Wilson’s Statements and Circle Works as its point of departure. Lippard’s physical piece—a spiral staircase leading to a platform—incorporates the artist’s voice which completely encompasses the audience and opens up a world in which ourexperience of language as pure voice is further investigated. Maintaining Wilson’s oeuvre as a guiding framework, Lippard’s exhibition will be followed by artists Adam Pendleton and Paul Elliman.

Ian Wilson, Circle on the floor (Chalk Circle), 1968, unlimitierte Auflage, Courtesy der Künstler und Jan Mot; Ian Wilson, The Pure Awareness of the Absolute / A Discussion, 2014, Courtesy der Künstler und Jan Mot, Brüssel, Leihgabe: Jan Mot, Brüssel; Installationsansicht KW Institute for Contemporary Art, 2017, Foto: Frank Sperling

Ian Wilson, Circle on the floor (Chalk Circle), 1968, unlimited edition, Courtesy the artist and Jan Mot; Ian Wilson, The Pure Awareness of the Absolute / A Discussion, 2014, Courtesy der Künstler und Jan Mot, Brüssel, Loan: Jan Mot, Brüssel; installation view KW Institute for Contemporary Art, 2017, Photo: Frank Sperling