In the course of summer expeditions, selected artists from the areas of music, performance and other cultural fields experience and revive urban spaces. The dernier cri is the focus of this year’s Sound Development City expeditions – it allows for an independent exploration of themes and modes of expression in the perception of the three cities. The work resulting from this exploration will in part be shown in public. With: Jana Burbach (Zürich, Theater, Performance); Ariel Bustamente (Chile, Public Acoustic Experiments); André Castro (Lissabon/ Amsterdam, Networked Media Design); Donald Deadalus (New York, Art, Sound); D-Fuse (Michael Faulkner/Matthias Kispert – London Sound and Video Art); Maria Guggenbichler (München/ Amsterdam, Art, Ideas, Music, Books); Israel Martinez (Mexiko, Multidisciplinary Art, Electronic Music); Katharina Rohde (Berlin, Architecture, Art, Activism); Steve Rosenthal (London, Visual Art); Evelynn Trouble (Zürich, Music).
On the last weekend of June (29. – 30.) in Berlin and the first weekend of July (6. – 7.) in Paris, the fourth edition of Berlin-Paris, a gallery exchange project illuminates the artistic tendencies of the two capital cities by presenting around 60 artists and creating new impetuses through its selection of galleries. One of the new features introduced in this year´s edition is the involvement of artistic interventions organized by the curator collectives The Office and Le Bureau/.
CARLIER | GEBAUER – MARCELLE ALIX
CHERT and MOTTO – CNEAI=
GALERIE CAMPAGNE PREMIÈRE – EMMANUEL HERVÉ
GALERIE ULRICH FIEDLER – JOUSSE ENTREPRISE
GALERIE ZINK – ALMINE RECH GALLERY
KLEMM’S – TORRI
MEHDI CHOUAKRI – GALERIE 1900-2000
Double Bound Economies begins with a photo archive from the German Democratic Republic (GDR) by photographer Reinhard Mende. Produced as commissioned works, the photographs dramatize the situation of productions in “Volkseigene Betriebe” and the “Internationale Leipziger Messe” from 1967 to 1990. From the archive, Double Bound Economies moves toward contemporary artistic and spatial positions, historical and theoretical analyses, and the production of a video project. Artists, theorists, scholars, and former participants were invited to view, comment on, or select from the archive. This collective work method resulted in a polyphonic dramatization of the archive while also reporting on a nonlinear approach to the GDR.
Following the presentation in Leipzig, Double Bound Economies will be exhibited at the Centre de la Photographie, Geneva (September–October 2012) and at the Swiss Federal Institute of Technology, Zurich (January–February 2013).
GALERIE HANS-PETER JOCHUM
Furniture by Olivetti, Ugo Sissa, Studio BBPR, Gabetti e Isola, Sottsass, Hans von Klier, Leclerc, Aulenti
13.04. – 09.06.2012
GALERIE ULRICH FIEDLER
Ettore Sottsass | The 1950s
13.04. – 23.06.2012
Architect and Designer Ettore Sottsass has had a long standing, tight working connection with the house of Olivetti, a productive connection that is the focus of two parallel exhibitions: Ettore Sottsass at Ulrich Fiedler, and Olivetti Connection at Hans-Peter Jochum. The show at Ulrich Fiedler Gallery features Ettore Sottsass’ work from the fifties, while Hans-Peter Jochum is exhibiting the Olivetti Connection, a show dedicated to key exponents from the design and architecture archives of the OLIVETTI business empire – objects whose breadth and significance was determined by the likes of Ettore Sottsas, Ugo Sissa, Studio BBPR and Hans von Klier.
Christoph Schlingensief worked on the idea for the Operndorf Afrika (Opera Village Africa) from 2008 onwards. He conceived it as a place for intercultural encounters and experiments, as well as an artistic reservoir for the future. Auktion 3000 at Hamburger Bahnhof – Museum für Gegenwart in Berlin will help the Operndorf Afrika to grow. Numerous internationally renowned artists donated works for this fundraiser, among them Marina Abramovic, Matthew Barney, Pipilotti Rist, Olafur Eliasson, Andreas Gursky, Patty Smith, Wolfgang Tillmans, and Günther Uecker.
Berlin architects ROBERTNEUN redefine inner city living and create open space condominiums on empty urban planning sites at the southern point of Gleisdreieck. The scheme for Am Lokdepot reflects an unconventional, experimental approach to alternative and future-oriented living structures, implemented on behalf of the UTB property development company, LLC. The project will repurpose a defunct Berlin railroad area occupying some 28,000 sqm , while maintaining its industrial flair. Am Lokdepot (at the locomotive rail yard) is an urban planning endeavor for the development of inner city space that has recently become available, which will transform the disused railway ground at Gleisdreieck into a public living space.
Art, in Saâdane Afif’s highly reflexive practice, becomes words, music and movement, metamorphosing from one art form into another with the help of talented collaborators. Inviting writers to respond to physical artworks, and musicians and actors to respond to their texts, Afif transposes the visual into other senses, projecting the imaginary expense of a piece through the interpretations of others. At Schinkel Pavillon his work completes a full circle, turning lyrics formed in response to previous pieces, by way of performance by Katja Schrade and porcelain by Nymphenburg, into sculpture, and in doing so sealing the process.
The exhibition Furniture as a Model at Galerie Hans-Peter Jochum in Berlin featured the works of Berlin based designer Sven Temper. Individual items of furniture designed specifically for the room they are intended for, Sven Temper’s artistic design process follows defining furniture as functional articles for daily use, whereby the conceptualities of fine art and applied art form the basis. The exhibition further presented the “Rungezimmer”, which Temper designed for the Philipp Otto Runge commemorative year at the Kunsthaus Hamburg 2011.
From 7 – 11 September 2011 abc art berlin contemporary addressed the topic of painting, featuring over 130 artists from 125 galleries. ‘About painting’ surveys contemporary painting practices, presenting not only works on paper or canvas, but also videos, photographs and sculptures that deal with the classical medium.
The group show featured works by the staff of the infamous Berghain. The exhibition took place in the latest addition to the Berghain complex, the KUBUS.