In order to create the newest item on their menu, the team of Grill Royal has become the first restaurant in Germany to acquire access to speciality Kobe Beef from Japan. Kobe is a subset of meat from genuine Wagyu cattle, whose production is extremely limited and subjected to strict regulations and government supervision. In order to bear the name ‘Kobe beef,’ cattle must be certified, pedigreed Tajima cattle (Tajima-gyu), as well as bred, raised, slaughtered and assessed by the Japanese Meat Grading Association in the Hy?go Prefecture around its capital city, Kobe. The degree of marbling must amount to a minimum BMS (Beef Marbling Score) of 6, following the Japanese grading system. Only when all of these criteria are fulfilled does the beef receive the Kobe beef stamp, shaped like a Japanese chrysanthemum blossom, which is a symbol of the Japanese imperial court. At Grill Royal, chef Michael Böhnke will prepare the meat in different and seasonally varying styles, with a main focus on the classic steak grilled on a lava stone for one or more people, known as the Teppanyaki plate. But also pure and marinated versions of carpaccio, or Japanese-inspired dishes such as Shabu Shabu (thin slices) will be on the menu.
Invited to accompany the exhibition Otto Piene. More Sky, the bar at Pauly Saal has moved to Neue Nationalgalerie, where Pienes slide installation “The Proliferation of the Sun” (Die Sonne kommt näher) is being performed. Conceived in 1967, the performance on the upper floor of the Mies van der Rohe building consists of projecting colourful shimmering shapes, hand-painted onto more than 1000 glass slides, to create what Piene calls a “poetic journey through space.” Inspired by this spectral colour experience, Head Bartender of the bar at Pauly Saal Bobbi Kay has created four cocktails that take from Piene’s colour compositions and use of contrary colours to create large surfaces that stand in opposition to one another. The museum’s reception counter serves as the bar, and is also integrated in the show with an identical, mirroring counter. “Otto Piene. More Sky” is a joint exhibition of the Neue Natioganalgalerie and Deutsche Bank KunstHalle.
Photos: Steve Herud
© Digital Bauhaus Summit
The original idea behind the Bauhaus, founded in Weimar in 1919, was not white boxes and tubular furniture, but collaboration: the collaboration of genres and disciplines as well as the interchange of arts, crafts and industries. Digital Bauhaus 2014 takes this idea into the 21st century and explores the formats and frameworks of creative group work, both online and on-site, that shape successful project organization. In the frame of an extensive program of hands-on workshops, keynote talks, panels and spaces for exchange, professional experts on collaboration invited to the summit will share lessons they’ve picked up, and delve into modes and models of working together both old and new.
DIGITAL BAUHAUS SUMMIT 2014
How does a digitally oriented generation, for whom creativity, sustainability, and mobility are more important than status, live? This is the question explored in Freunde von Freunden’s and Vitra’s first apartment in Berlin. Building upon their common styles and experiences, the FvF Apartment by Vitra on Mulackstrasse offers a glimpse into the world of the Swiss furniture manufacturer’s collage and visualizes the interview magazine’s conceptualization of urban living. The 65sqm ‘Altbau’ apartment has been rebuilt and designed to be adaptable to the diverse scenarios of everyday life.
Photos: Steve Herud
FREUNDE VON FREUNDEN, VITRA
Something Fantastic © ICC Berlin
Das ICC ist ein Gesamtkunstwerk, von der riesigen Aluminiumhülle bis zum Leitsystem im Inneren, den Türgriffen und Garderobenhaken. Es ist eines der erfolgreichsten, architektonisch mutigsten, und international bedeutendsten Gebäude Berlins. Vor 35 Jahren, am 2. April 1979 wurde der von Ralf Schüler und Ursulina Schüler-Witte geplante Bau eröffnet.
Das im Auftrag einer international operierenden Investorengruppe erstellte Konzept würde dafür sorgen, dass dies so bleibt und dass diese einmalige Ikone des 20. Jahrhunderts bewahrt, in ihrer Kompetenz bestätigt, und zugleich neu herausgefordert wird. Das ICC könnte zum ICCC werden, einem Zentrum für zeitgenössische Kultur in Berlin – für die Berliner und die internationale Öffentlichkeit: Dialog, Diskurs und Praxis werden hier verdichtet und sichtbar gemacht. Eine konzeptionelle sowie organisatorische Neuausrichtung schöpft die vorhandenen räumlichen und wirtschaftlichen Potenziale endlich voll aus. Das Nutzungskonzept basiert auf einer Synergie aus Konferenz- und Kongressbetrieb, Veranstaltungsort für Darstellende und Bildende Künste, Restaurant und Cafés, Hotel, Kunstschaulager, Black- und White Cubes, Fachhandel für Kunst und Medien sowie temporären Co-Working Spaces, Ateliers und Tagungsräumen.
What is needed is a catalyst for the meeting of worlds that represents and is part of our journey in to the future. The first phase of post-Wall Berlin, the art colonisation of the city, is almost complete. Now we need to look towards a new, technically orientated consciousness and what better hub for that endeavour than the ICCC? A mothership for the merging of two cultures in the third industrial age. The architecture of the ICC, the ship-like form that shouts “space” rather than “sea” are all perfect companions to this journey. Sophie Lovell (Author & Editor-in-Chief, uncube magazine)
Photos: © ICC Berlin
Credit: Content is Relative
Expanding on the emergent poetics of online distribution systems and the prominence of poetry in 89plus projects to date, the exhibition Poetry will be made by all! will bring together works from renowned and upcoming international poets and writers, born after 1989. Inspired by the seminal exhibition ‘Transform the world! Poetry must be made by all!’ at the Moderna Museet, the exhibition of 89plus will highlight how the written word, far from being diminished, finds a renewed importance within today’s digital information networks. During the opening days of Poetry will be made by all! readings and performances by poets, artists and writers such as Harry Burke, Andrew Durbin, Mashinka Firunts, Sophia Le Fraga, Rui An Ho, Sang-Woo Lee, Trisha Low, Steve Roggenbuck and Dena Yago, as well as Etel Adnan, Caroline Bergvall, Christian Bök, Anton Bruhin, Tao Lin, Tracie Morris, Mendi + Keith Obadike, Eugenie Paultre and many others, will be held, including a performance by concrete poet Eugen Gomringer. For its inaugural exhibition, 89plus is partnered in association with UbuWeb. This platform has expanded to include a remarkable collection of film and video art, critical documents and essays, sound poetry and art recordings, among many other unclassifiable strands of the avant-garde.