The Grill Royal family has teamed up with artist Rirkrit Tiravanija and chef Dalad Kambhu for their latest restaurant, Kin Dee. Here, contemporary Thai cuisine is served family style – dishes such as whole fried fish or beef stew are plated to share among several people. Lemongrass, kaffir lime, wild ginger, galangal, curcuma, coriander or red chili are essential ingredients. However, whenever possible, the chef and her international team substitute imported products with regional ones from her network of local suppliers. This leads to a modern interpretation of Thai food without sacrificing flavor: sweet apple in place of mango, yellow turnip in place of Asian sweet potato, or pickled kohlrabi in place of papaya. Located in Schöneberg, Kin Dee inherits the former space of the restaurant Edd’s. Out of respect for its history, only small changes and refurbishments have been made to the space. One new addition, though, is the artwork that hangs in the dining room: some of these pieces were created by co-owner Tiravanija, and other were made by artist friends.
Placed on a high pedestal at the heart of Frankfurt Alt-Sachsenhausen’s new bar Bonechina is a night-blue, porcelain elephant. Coincidentally, it is also your bartender: tonic water splashes from its mouth. Guests are invited to mix their own drinks, gathering around the sculpture to fill their cups, choose between a sandalwood or Vetiver aromatic ice cube, possibly exchange some names and stories. Developed by the Lindenberg Group, Bonechina is less of a bar than what a bar may dream of. Absent are the bartenders (though two hosts are present to prepare drinks if desired), and gone are the counter, the stools. With a visual concept designed by Studio Aberja, the whole interior glimmers across ceramic tiles called Frankfurter Fliese, diamond-cut and painted in the same shade of blue as the elephant-fountain. The blue continues onto the curtains and upholstery, and above the light limbs of pear-wood furniture, aromatic diffusers let out puffs of yuzu and bergamot throughout the evening. With all of this housed inside a baroque building from the wooden-shingled 18th century, the 20 lucky guests for a night at Bonechina may start to think they’re dreaming too.
“A man who wants to lose his self, discovers indeed, the possibilities of human existence, which are infinite, as infinite as is creation. But the recovering of a new personality is as difficult – and as hopeless – as a new creation of the world.” – Hannah Arendt, We Refugees, 1943
Akademie der Künste in Berlin presents Uncertain States, a major group exhibition and multimedia programme of events running until January 15, 2017. Current and historic states of oppression, human migration and cultural dislocation are addressed within a dynamic framework, which has already drawn widespread critical acclaim in Germany. The extensive exhibition programme is a timely exploration of the significance of memory and narrative, within eras of political, social and cultural transformation. Across art, archival ephemera, film, music, performance, talks, pop-up events and practical workshops, the show engages with migrants, thinkers, politicians, writers, artists and activists from across the world, as they confront today’s realities of forced displacement, cultural loss and mass emigration. A historical element of Uncertain States features objects sourced from the Akademie der Künste’s archives of artist émigrés, including cultural icons such as Walter Benjamin, Valeska Gert, Heinrich Mann and Kurt Tucholsky. Their artifacts, rich in memory and cultural identity, form a vibrant narrative when paired with artworks by modern-day artists. In addition to the group exhibition, a rich programme of events seeks to contextualize global political perspectives on migration and identity, within an artistic framework. Talks and panels will debate the topics of migration from the Middle East in particular, addressing themes such as reactionary xenophobia and Islamophobia. Under the banner of “Thinking Space” (Denkraum) a programme of concerts, readings, theatrical performances and symposia, tackle numerous questions surrounding these topics with original and challenging approaches.
On the occasion of the 15th International Architecture exhibition in Venice, the Goethe-Institut organised the program Performing Architecture comprising five projects that are closely connected to this year’s exhibition in the German Pavilion. Merging architecture, choreography and the performing arts, the series of events seeks to address a set of pressing questions. How does a multicultural society change a city? How do people with diverse cultural, religious, social and political backgrounds encounter one another, and how can they all make an adopted city their shared home? The focal point of this year’s programme is the project “The Veddel Embassy: Representing Germany”. The temporary embassy will bring the migratory, multicultural reality of the Hamburg district of Veddel to Venice to offer a space for discourse and cultural exchange. What used to be the departure point for German emigrants in the past, is now an arrival quarter. All migration movements of the last 70 years have passed through the area of Veddel; immigrants from over sixty different countries have been living here for generations in peaceful coexistence, forming a new society. Around 60 inhabitants of the small island in the river Elbe will come to Venice for a week and invite everyone to become part of an enriching process. The Veddel Embassy will turn into a place of enlightening encounters. Delving into the reality of life on Veddel conveys an idea of what the future holds for Germany as an immigration country. In Venice, the residents present their projects, ideas, ideals, and their home in order to form a substantial discussion with both the international guests of the Biennale as well as with the multicultural citizens of Venice.
Entwerfen ist das Gegenteil von Unterwerfen. Entwerfen. Unterwerfen. Alles, was gestaltet ist, unterwirft uns unter seine Bedingungen. Gleichzeitig befreit uns das Gestaltete aus dem Zustand der Unterwerfung, der Unterworfenheit. Design schafft Freiheit, Design ermöglicht Handlungen, die zuvor nicht möglich oder nicht denkbar waren. Indem es dies tut, begrenzt es aber auch den Möglichkeitsraum, weil es neue Bedingungen schafft. Alles, was gestaltet ist, entwirft und unterwirft. Design ist von dieser sich bedingenden und ausschließenden Gegensätzlichkeit grundlegend geprägt. Diese dem Design inhärente Dichotomie ist nicht nur eine gestalterische, sondern eine politische. Sie bedingt Freiheit und Unfreiheit, Macht und Ohnmacht, Unterdrückung und Widerstand. Sie ist das politische Wesen von Design.
Das Buch erscheint am 29.10.2016 bei edition suhrkamp.
What started as a platform for experimental publishing and singular editions straddling the line between art object and reading material, has now become an integral part of the annual Art Week Basel. The art book fair I Never Read, Art Book Fair Basel now in its fifth edition, invites more than a hundred publishers, authors and artists from numerous countries to display their printed matter spanning the fields of art, photography, graphic design and architecture. An ever-growing selection of exhibitors introduces visitors to artists’ books, monographs, periodicals and zines, as well as out-of-print editions and collector’s items. Showing how the print world can evolve and thrive instead of dissolving into the shadow cast by the digital world (as many pseudo-evangelists were too quick to proclaim), the fair is an ode to the book as a democratic art form and an approachable medium for creative expression. What’s thoroughly explored here is the role of contemporary publishing in an increasingly on-screen era and how the art book provides a haven for artistic practice and how it builds a less market-driven community.
Studio visit with Iris Roth in Milan
On the occasion of Salone del Mobile 2016, we paid a visit to ceramic and interior designer Iris Roth to gain insight into her working space and creative practice. In her charming apartment, located in the well-known architects’ building complex Cascia 6, the Italian-German artist hosts dinners, grows olive trees on her sunny terrace and works away in her compact studio. We also got a chance to peek inside her production space – a traditional ceramics atelier that has been supervised by an Italian couple since 1976. Iris Roth combines traditional craftsmanship with contemporary elements: simple forms, warm tones and traditional processes involving the potter’s wheel as an essential tool. The artist uses white clay coated in natural white or grey glazes, as well as the widely used red clay – prevalent in her nude collection. Small, intentional imperfections on the surfaces of handmade objects, such as the artisan’s fingerprints, give each item a unique character that distinguishes them from mass-produced ware. But aesthetics aside, it’s all about functionality: All objects are suitable for everyday use and are dishwasher-safe. For Louis Pretty in Berlin and the restaurant oTTo in Milan, Iris Roth has designed and produced their entire ceramic lines. Each of the pieces is unparallelled but the designs can be produced in large numbers. In addition to oTTo’s dinnerware, Iris also designed the interiors of the cosy, greenhouse-like bistro, which arguably offers the best sandwiches in town. Soon, Iris Roth’s pieces will be available online – till then make sure to follow her dolce vita on Instagram.
Located in Frankfurt’s historical Alt-Sachsenhausen, LIBERTINE LINDENBERG is a subscriber to the new shareconomy concept. Like its sister LINDENBERG RÜCKERTSTRASSE, which opened in Frankfurt Ostend in 2012, it is a relaxed community with the service options of a hotel, where guests can stay a night, a month or an entire year. The residents determine which amenities they use from laundry and grocery services, cooking on their own in the open kitchen, home-made snacks from the Lekker shop or meals prepared by the chef, to renting bikes, a vintage Vespa and a revamped camper van. Franzen Architects worked with the key heritage features of the historical Wilhelminian building, restoring the natural stone façade that is in keeping with the area’s architectural identity. Inside the building a full modernisation has taken place to include a multistorey gabled annex, a publicly accessible living room cafe, an open kitchen, a bodega-style Lekker shop and an analog recording studio LOTTE LINDENBERG (with its very own record label). The interiors are contrasting with rooms split boldly in furnishings manufactured in pastel and black with artisan crafted accessories, products, and decorations all lending themselves to the visual concept. Breakfast and lunch is served in LIBERTINE’s living room cafe – a room adorned with contemporary art, where guests can order from a changeable menu whilst the open kitchen on the top floors offers a space for no-frills shared cooking. The house’s own Lekker shop offers a rich selection of home-grown products, including biodynamic and vegan options. Whether it is just for a night or forever, staying at LIBERTINE means finding a home in a versatile carefree guest community.
With its grilled seafood, top-quality steaks and extensive champagne list, Grill Royal has long been a fixture on the Berlin fine-dining scene. Since opening Pauly Saal in the Former Jewish Girls’ School in 2012, and Dóttir in the Mitte district three years ago, the founders: Stephan Landwehr, Boris Radczun and Moritz Estermann, have opened their fourth venture, which has 50 seats and is under the direction of Jeanne Tremsal. Their first venture in the West – Le Petit Royal is located in leafy Charlottenburg at Grolmanstrasse 59, on the ground floor of a Wilhelminian period building with large windows, wooden floors and a winding guest room. The dominant style of the restaurant is mid-century, with many of the tables custom made to fit in the intricate spaces of the building. Rubelli fabrics and the use of oak create a sense of Italy, while cabin swinging doors, bespoke wardrobes and a walk-in wine cabinet holding nearly 500 international wines ensure a classic European feel. The menu offers Grill Royal classics mixed with French elegance – dishes of fresh fish from the Baltic Sea, seafood, oysters, and modern interpretations of French classics such as coq au vin are on offer, all of which is complemented by an extensive wine catalogue. The restaurant’s collection of contemporary art, which includes a wall piece by Karl Holmqvist, a drawing by Yves Saint Laurent and a large sculpture by Yngve Holen is also a highlight.