In order to create the newest item on their menu, the team of Grill Royal has become the first restaurant in Germany to acquire access to speciality Kobe Beef from Japan. Kobe is a subset of meat from genuine Wagyu cattle, whose production is extremely limited and subjected to strict regulations and government supervision. In order to bear the name ‘Kobe beef,’ cattle must be certified, pedigreed Tajima cattle (Tajima-gyu), as well as bred, raised, slaughtered and assessed by the Japanese Meat Grading Association in the Hy?go Prefecture around its capital city, Kobe. The degree of marbling must amount to a minimum BMS (Beef Marbling Score) of 6, following the Japanese grading system. Only when all of these criteria are fulfilled does the beef receive the Kobe beef stamp, shaped like a Japanese chrysanthemum blossom, which is a symbol of the Japanese imperial court. At Grill Royal, chef Michael Böhnke will prepare the meat in different and seasonally varying styles, with a main focus on the classic steak grilled on a lava stone for one or more people, known as the Teppanyaki plate. But also pure and marinated versions of carpaccio, or Japanese-inspired dishes such as Shabu Shabu (thin slices) will be on the menu.
Invited to accompany the exhibition Otto Piene. More Sky, the bar at Pauly Saal has moved to Neue Nationalgalerie, where Pienes slide installation “The Proliferation of the Sun” (Die Sonne kommt näher) is being performed. Conceived in 1967, the performance on the upper floor of the Mies van der Rohe building consists of projecting colourful shimmering shapes, hand-painted onto more than 1000 glass slides, to create what Piene calls a “poetic journey through space.” Inspired by this spectral colour experience, Head Bartender of the bar at Pauly Saal Bobbi Kay has created four cocktails that take from Piene’s colour compositions and use of contrary colours to create large surfaces that stand in opposition to one another. The museum’s reception counter serves as the bar, and is also integrated in the show with an identical, mirroring counter. “Otto Piene. More Sky” is a joint exhibition of the Neue Natioganalgalerie and Deutsche Bank KunstHalle.
The original idea behind the Bauhaus, founded in Weimar in 1919, was not white boxes and tubular furniture, but collaboration: the collaboration of genres and disciplines as well as the interchange of arts, crafts and industries. Digital Bauhaus 2014 takes this idea into the 21st century and explores the formats and frameworks of creative group work, both online and on-site, that shape successful project organization. In the frame of an extensive program of hands-on workshops, keynote talks, panels and spaces for exchange, professional experts on collaboration invited to the summit will share lessons they’ve picked up, and delve into modes and models of working together both old and new.
How does a digitally oriented generation, for whom creativity, sustainability, and mobility are more important than status, live? This is the question explored in Freunde von Freunden’s and Vitra’s first apartment in Berlin. Building upon their common styles and experiences, the FvF Apartment by Vitra on Mulackstrasse offers a glimpse into the world of the Swiss furniture manufacturer’s collage and visualizes the interview magazine’s conceptualization of urban living. The 65sqm ‘Altbau’ apartment has been rebuilt and designed to be adaptable to the diverse scenarios of everyday life.
From ICC to ICCC – International Center for Contemporary Culture Berlin
The ICC, a 38-year-old architectural Gesamtkunstwerk, is one of the most important international buildings in Berlin. The unique icon of the 20th century is to be preserved and at the same time newly challenged. The ICC could become the ICCC, a center for contemporary culture in Berlin. The utilization concept is based on a synergy of conference facilities, a venue for performers and fine arts, a restaurant and cafés, a hotel, an art and media outlet as well as temporary co-working spaces, and studios. „What is needed is a catalyst for the meeting of worlds that represents and is part of our journey in to the future. The first phase of post-Wall Berlin, the art colonisation of the city, is almost complete. Now we need to look towards a new, technically orientated consciousness and what better hub for that endeavour than the ICCC? A mothership for the merging of two cultures in the third industrial age. The architecture of the ICC, the ship-like form that shouts “space” rather than “sea” are all perfect companions to this journey.“ Sophie Lovell (Author & Editor-in-Chief, uncube magazine). Scope of work of BUREAU N was the concept development for future use, together with Florian Heilmeyer and Something Fantastic.
What is needed is a catalyst for the meeting of worlds that represents and is part of our journey in to the future. The first phase of post-Wall Berlin, the art colonisation of the city, is almost complete. Now we need to look towards a new, technically orientated consciousness and what better hub for that endeavour than the ICCC? A mothership for the merging of two cultures in the third industrial age. The architecture of the ICC, the ship-like form that shouts “space” rather than “sea” are all perfect companions to this journey. Sophie Lovell (Author & Editor-in-Chief, uncube magazine)
Expanding on the emergent poetics of online distribution systems and the prominence of poetry in 89plus projects to date, the exhibition Poetry will be made by all! will bring together works from renowned and upcoming international poets and writers, born after 1989. Inspired by the seminal exhibition ‘Transform the world! Poetry must be made by all!’ at the Moderna Museet, the exhibition of 89plus will highlight how the written word, far from being diminished, finds a renewed importance within today’s digital information networks. During the opening days of Poetry will be made by all! readings and performances by poets, artists and writers such as Harry Burke, Andrew Durbin, Mashinka Firunts, Sophia Le Fraga, Rui An Ho, Sang-Woo Lee, Trisha Low, Steve Roggenbuck and Dena Yago, as well as Etel Adnan, Caroline Bergvall, Christian Bök, Anton Bruhin, Tao Lin, Tracie Morris, Mendi + Keith Obadike, Eugenie Paultre and many others, will be held, including a performance by concrete poet Eugen Gomringer. For its inaugural exhibition, 89plus is partnered in association with UbuWeb. This platform has expanded to include a remarkable collection of film and video art, critical documents and essays, sound poetry and art recordings, among many other unclassifiable strands of the avant-garde.
The products of the Berlin based design company NEW TENDENCY are characterized by conceptual design, clear aesthetics and functional form, as well as the fact that they’re manufactured locally. Whether it is a glass, a coat rack or a jewelry collection, the design company’s credo is continually reflected in its new, interdisciplinary creations – expanding its portfolio of original products and collaborations with select designers. Corresponding to this approach, their newest innovation, the shelf rack CLICK is the result of a collaboration with Danish architect Sigurd Larsen. Furthermore, the latest NEW TENDENCY product range includes the MASA table base, the DECEMBER floor lamp, the HASH coat rack, the META side table and the X CHAIR, the RIEN glass as well as the SID & CHAD vases, next to a new oak version of the SHIFT, which received the Interior Innovation Award 2014.
Photos: Haw-lin | Matthias Schmitt & Michael Ott
Maxie Eisen, a Chicago gangster with German roots, was the organizer of 3 Hebrew associations of food dealers in the 1920s – the Hebrew Master Butchers’ Association, the Master Bakers’ and the Retail Fish Dealers’ Association. He made a name for himself as a mafioso in the food business and was respected in the mob scene due to his cunning, but above all, also due to his close association to Al Capone. Maxie and the rest of the gang would meet for diplomatic treaties late at night at the Hotel Sherman, presumably over charcuterie, fish, magnums of stolen red wine and strong drinks. Building on a mix of Jewish food, the history of Frankfurt’s red-light district and the French sensibility of a buvette, Maxie Eisen, located in the middle of the Bahnhofsviertel, will revive and reinterpret the spirit of those bygone times. Pastrami takes center stage; delicious American beef brisket, traditionally cured using mustard, crushed peppercorns, coriander seeds and garlic. Roast chicken and select charcuterie such as duck rillettes are also on the menu. Matzo ball soup, following a traditional recipe, herring with horseradish and raw onions, home-cooked rosemary french fries and fresh salads act as accompaniments.
Photos: Steve Herud
The exhibition Human-Space-Machine. Stage Experiments at the Bauhaus presents for the first time concepts and experiments of the legendary Bauhaus stage, where the relationship between man and technology in particular was investigated and explored. In 1921, Walter Gropius founded a theater workshop at the Bauhaus. It conducted new research and experiments on the relationship between humans and technology.
The aim was to find a new place for the human being in a technological everyday living environment, to explore his new possibilities of movement and perception, and not least to find new symbols and images for that ambivalent ‘essence’ of the ‘new human being’, defined equally by nature and technology. Accompanying the exhibition, a festival spotlights stage experiments at the Bauhaus. It addresses the influences they exercised on dance, theatre, performance and visual arts, and discusses their current relevance and applicability. For concepts and symbols of a question that is still acute today took shape on the Bauhaus Stage: How much machine can man internalise, and how human can machines become?
89plus is a long term, multi-platform research project, co-founded and co-curated by Simon Castets and Hans Ulrich Obrist, mapping the generation of innovators born in and after 1989. The 89plus Resources Workshop and Panel at LUMA is the first event to be structured around a single theme, Resources, engaging the disciplines of art, architecture, literature, science, and technology in a focused conversation. Led by Simon Castets and Hans Ulrich Obrist a Workshop will bring together environmental activists and artists from the 89plus generation along with experts in resources and sustainable development. The panel discussion will address the potential of new technologies for positive environmental and social change in a world of declining natural resources.