Run by cultural producers, the Berlin Art Prize is a non-institutional award with the aim to encourage Berlin-based-artists in their autonomous work and to validate their creative work processes. Three artists are honored by a jury composed of local art professionals, with a group exhibition, an accompanying catalog, a residency, prize money and a trophy, and an additional 30 nominated artists will be included in the group exhibition and the catalog. Unlike other awards the artists are evaluated anonymously, with the jury only taking artistic ability into consideration. In June 2014 the next Berlin Art Prize will be awarded, followed by the exhibition, concerts, talks, and events.
Expanding on the emergent poetics of online distribution systems and the prominence of poetry in 89plus projects to date, the exhibition Poetry will be made by all! will bring together works from renowned and upcoming international poets and writers, born after 1989. Inspired by the seminal exhibition ‘Transform the world! Poetry must be made by all!’ at the Moderna Museet, the exhibition of 89plus will highlight how the written word, far from being diminished, finds a renewed importance within today’s digital information networks. During the opening days of Poetry will be made by all! readings and performances by poets, artists and writers such as Harry Burke, Andrew Durbin, Mashinka Firunts, Sophia Le Fraga, Rui An Ho, Sang-Woo Lee, Trisha Low, Steve Roggenbuck and Dena Yago, as well as Etel Adnan, Caroline Bergvall, Christian Bök, Anton Bruhin, Tao Lin, Tracie Morris, Mendi + Keith Obadike, Eugenie Paultre and many others, will be held, including a performance by concrete poet Eugen Gomringer. For its inaugural exhibition, 89plus is partnered in association with UbuWeb. This platform has expanded to include a remarkable collection of film and video art, critical documents and essays, sound poetry and art recordings, among many other unclassifiable strands of the avant-garde.
The exhibition Human-Space-Machine. Stage Experiments at the Bauhaus presents for the first time concepts and experiments of the legendary Bauhaus stage, where the relationship between man and technology in particular was investigated and explored. In 1921, Walter Gropius founded a theater workshop at the Bauhaus. It conducted new research and experiments on the relationship between humans and technology.
The aim was to find a new place for the human being in a technological everyday living environment, to explore his new possibilities of movement and perception, and not least to find new symbols and images for that ambivalent ‘essence’ of the ‘new human being’, defined equally by nature and technology. Accompanying the exhibition, a festival spotlights stage experiments at the Bauhaus. It addresses the influences they exercised on dance, theatre, performance and visual arts, and discusses their current relevance and applicability. For concepts and symbols of a question that is still acute today took shape on the Bauhaus Stage: How much machine can man internalise, and how human can machines become?
The exhibition Christoph Schlingensief at KW Institute for Contemporary Art in Berlin is the first comprehensive show dedicated to the exciting and versatile body of work of Christoph Schlingensief. Transgressing artistic, medial and institutional boundaries the full effect of his work unfolds through continuous fragmentation, synchronicity, dissolution of boundaries and its inter- and trans-medial character. In his oeuvre, which spans films, theater pieces, operas, happenings, performances and installations, Christoph Schlingensief serves comments on and reactions to their respective moments of development and the social contexts they’ve emerged from, touching on topics such as media representations of current events, politics, German history, fascism, Christianity and the institution of family. His radical demand for reaction, his uniquely inventive imagery, his almost obsessive overexertion and challenging demand for similar dedication from anyone involved in his projects secure Schlingensief’s exceptional position in the contemporaneous art discourse.
For one year the Akademie der Künste is devoting itself to the topic Vertigo of Reality | Schwindel der Wirklichkeit. There is hardly a single issue in the arts that has been addressed as systematically as the construction and deconstruction of reality. Above all, new media and the interactive possibilities of the digital world have fundamentally altered the arts and their own reflective understanding. The threshold between digital information and the analogue user, between man and machine, between virtuality and body has long since been a dialectical core theme of contemporary art. The focus kicks off this November with a working station – a mobile architecture installed in the Akademie der Künste at Haseatenweg hosting a series of talks, debates and performances every Wednesday at 5:00 pm leading up to the Metabolic Office for the Repair of Reality and a large exhibition in the autumn of 2014.
With its innovative, artist-centred format, abc is consciously focused on artistic practice. Each invited gallery is specifically asked to realize a single position of contemporary art. Rather than presenting their particular programs, the galleries present themselves in their capacities as the producers of selected artists. This year abc will also be reinforced by an expanded program of events including a project called “Upcoming Exhibitions” curated by Shanaynay (Paris).
Around 130 emerging and established galleries from across the Globe will take part this year. The modular, architectural concept responds to the spatial conditions of each individual work and provides a structure which is both clear and open, and particularly well suited to the presentation of installations, sound pieces, performances and video screenings. Info can be found here.
Furniture, by its very nature, is a practical form, defined by its character and functionality. In his new exhibition Raumbilder (Spatial Pictures), Sven Temper presents his latest works, unique takes on ordinary household furniture, rendered here in everyday wood and mass produced materials. The show at gallery Hans-Peter Jochum sets his particular usages through an array of sideboards, tables, chairs, shelves, as well as multiple new takes on the armchair. The title of the exhibition refers to both the material as well as the social connotations of space, its physical and social impact and how social spaces are constructed through communication and/or action.
Credits: Sven Temper
In the course of summer expeditions, selected artists from the areas of music, performance and other cultural fields experience and revive urban spaces. The dernier cri is the focus of this year’s Sound Development City expeditions – it allows for an independent exploration of themes and modes of expression in the perception of the three cities. The work resulting from this exploration will in part be shown in public. With: Jana Burbach (Zürich, Theater, Performance); Ariel Bustamente (Chile, Public Acoustic Experiments); André Castro (Lissabon/ Amsterdam, Networked Media Design); Donald Deadalus (New York, Art, Sound); D-Fuse (Michael Faulkner/Matthias Kispert – London Sound and Video Art); Maria Guggenbichler (München/ Amsterdam, Art, Ideas, Music, Books); Israel Martinez (Mexiko, Multidisciplinary Art, Electronic Music); Katharina Rohde (Berlin, Architecture, Art, Activism); Steve Rosenthal (London, Visual Art); Evelynn Trouble (Zürich, Music).
In February 2012, the listed building of the Ehemalige Jüdische Mädchenschule – a former Jewish girls’ school in Auguststrasse in Berlin opened as a space for art and cuisine. Following historically suitable restoration, the building was made available to the public after years of vacancy. The former classrooms and corridors present changing exhibitions by different actors from the art world. Camera Work Contemporary opened a Gallery on the first floor. Michael Fuchs Galerie exhibits works in the former assembly hall on the third floor. He shares the floor with EIGEN + ART Lab, an exhibition format for international artists.
In the former gymnasium, the restaurant Pauly-Saal offers guests regional and seasonal German cuisine during the day and in the evenings – adjoined is the Pauly-Bar. In the private dining rooms, The Kosher Classroom serves three times per week certified kosher cuisine, including a traditional Sabbath dinner. Mogg & Melzer Delicatessen sells homemade pastrami and other meat specialties, as well as products from the Pauly-Saal and The Kosher Classroom – to eat in or to take away.
Photos: Stefan Korte
Art, in Saâdane Afif’s highly reflexive practice, becomes words, music and movement, metamorphosing from one art form into another with the help of talented collaborators. Inviting writers to respond to physical artworks, and musicians and actors to respond to their texts, Afif transposes the visual into other senses, projecting the imaginary expense of a piece through the interpretations of others. At Schinkel Pavillon his work completes a full circle, turning lyrics formed in response to previous pieces, by way of performance by Katja Schrade and porcelain by Nymphenburg, into sculpture, and in doing so sealing the process.