CREDITS Christopher Roth – I Am In Paris, 2015, Courtesy: the artist and Esther Schipper, Berlin Photo: © Andrea Rossetti / Andreas Schulze – Untitled (Vacanze/Son) , 2016, Copyright Andreas Schulze / VG Bild-Kunst, Bonn Courtesy the artist and Sprüth Magers / SIMON MULLAN – Franz, 2016, Photo: Jens Ziehe, Copyright Simon Mullan, Courtesy DITTRICH & SCHLECHTRIEM, Berlin) / Saâdane Afif – Installation view from the series L’Eternité, Courtesy the artist and Mehdi Couakri / Sean Snyder – Mnemonic Equation (Level 3), 2015 – 2016, Courtesy: the artist and Galerie Neu, Berlin
The maxim remains the same: one gallery, one artist. This September, the 9th edition of abc art berlin contemporary will return to Station Berlin, continuing its commitment to a format that places the artist and their presentation of work at the center. Founded by a group of Berlin galleries, abc invites around 60 national and international galleries to showcase solo presentations of artists within their program. abc’s continual development and transformation reflects characteristic features of the city—a passion for experimentation and openness to evolution and change. On Friday night—which is the Gallery Night (16 September)—all participating Berlin-based galleries will open their doors to invite collectors, curators and art enthusiasts into their spaces and exhibitions. While on the following Saturday and Sunday afternoon, a series of talks and performances involving artists, curators and galleries will allow the public to gain a deeper insight into specific topics and works. Find the entire program of events here. A complete list of this year’s participating galleries and artists can be found here.
nothing at the moment by Humboldtbooks, Milan
What started as a platform for experimental publishing and singular editions straddling the line between art object and reading material, has now become an integral part of the annual Art Week Basel. The art book fair I Never Read, Art Book Fair Basel now in its fifth edition, invites more than a hundred publishers, authors and artists from numerous countries to display their printed matter spanning the fields of art, photography, graphic design and architecture. An ever-growing selection of exhibitors introduces visitors to artists’ books, monographs, periodicals and zines, as well as out-of-print editions and collector’s items. Showing how the print world can evolve and thrive instead of dissolving into the shadow cast by the digital world (as many pseudo-evangelists were too quick to proclaim), the fair is an ode to the book as a democratic art form and an approachable medium for creative expression. What’s thoroughly explored here is the role of contemporary publishing in an increasingly on-screen era and how the art book provides a haven for artistic practice and how it builds a less market-driven community.
For the 15th International Architecture Exhibition – La Biennale di Venezia, Goethe-Institut has created Performing Architecture, a programme which brings the interfaces between architecture, choreography and the performing arts into focus. Picking up cues from the exhibition at the German Pavilion Making Heimat. Germany, Arrival Country and the Biennale’s motto Reporting from the Front, the programme transforms the urban space of Venice into a stage for artistic encounters, visions and explorations: How do we sink into the experienced and built reality of our cities? How do we encounter other people in this reality? Which values do they negotiate, which living spaces, which experiential spaces? What ideas of Heimat do they carry? Five events were created for the time of the exhibition: In Act and Tought – A Score for Six Performers, ARCH+ features #50, Culinary Lessons, The Veddel Embassy: Representing Germany and Conviviumepulum / Culinary Lessons.
The Museum of Architecture and Design (MAO) presents the project Home at Arsenale – a curated library, in the Pavilion of Slovenia at the 15th International Architecture Exhibition. Matevž Celik, director of MAO, appointed as curators for the presentation in Arsenale the internationally acclaimed architects and educators Aljoša Dekleva and Tina Gregori? as curators. They conceived a 1:1 spatial structure, an abstract home performing as a curated library that operates as a platform for exploring the concepts of home and dwelling during the Biennale Architettura 2016 and beyond. The project Home at Arsenale proposes the concept of home as a public curated library that opens up a platform for multiple responses on the topics of home and dwelling within the current spatial and social conditions. Challenging the private/public dichotomy within the dwelling domain the project suggests a transformation of private home into possible temporary-public home environment.
To develop a more concrete understanding of approaches to the complex expectations placed on public space, the Akademie der Künste and the Goethe-Institut teamed up to stage the 36-hour Factory of Thought Public Space: Fights and Fictions. The conference, with the curatorial advisory by BUREAU N is held as part of the exhibition DEMO:POLIS – The Right to Public Space. Given the crisis of representative democracies, participation, and civil society burnout: How can we use public space for the perspective of an enlightenment in the 21st century? Public space is intrinsically linked to the parameters of each particular culture and society and its historical changes. With worldwide migration, social conflicts, and global economic and financial interests or the emancipation from authoritarian structures, public space has been facing massive challenges over the last decades. Across the globe, it has become the scene of violent changes and fundamental paradigm shifts. Between security and surveillance, participation and commercialisation, artistic and social freedom and the demonstration of power, public space is where the future of democracy is being decided.The Kooperative für Darstellungspolitik’s spatial design facilitates concentrated thought in parallel structures for kick-off speeches and think tanks, discussions, interviews and artistic interventions, and provides room for informal exchanges in open platforms. NIGHT SHIFT, a party hosted by Making Spaces c/o NICHE Berlin and Creamcake is part of the night program.
The Federal Office of Culture (FOC) has announced the laureates of the Swiss Grand Award for Design 2016 – textile designer Claudia Caviezel, furniture and interior designer Hans Eichenberger and graphic designer Ralph Schraivogel. They will receive their honours at the opening of the Swiss Design Awards 2016 In June in Basel. The exhibition runs in parallel with Art Basel and DesignMiami and will present interviews, in-depth profiles and photographic portraits of the award recipients. The awards launched in 2007 in order to highlight the work of well-known designers, which exemplify quality, relevance and dynamism of Swiss design practice both nationally and internationally.
Swiss Grand Award for Design 2016
Social, political, economic and cultural issues are increasingly being framed and contested in the public realm, and consequently city dwellers are demanding their say in the decisions affecting these public spaces. DEMO:POLIS – The Right to Public Space, the Akademie der Künste’s major spring exhibition is an ambitious inquiry into these timely issues surrounding public space. Through an exhibition format, programme of special events, interactive discussions, symposiums, and a publication DEOM:POLIS addresses the options the public has in shaping its own cities – asking questions – how can we reclaim public space and tactically use it? And how do we imbue it with new meaning? The exhibition, curated by the architect Wilfried Wang, who is the deputy director of the architecture section of the Akademie der Künste, shows spatial designs and urban planning that affects small squares to entire strips of coast. Additionally, there is documentation from demonstrations, protests and art interventions that were known to ‘safeguard’ public space, such as White American Flags by Wermke/Leinkauf. Also part of the exhibition are profiles on projects La Ventana al Mar in San Juan by Puerto Rican architect Andrés Mignucci and Sports Park Stožice in Ljubljana by Sadar + Vuga, which amongst others, are deemed extraordinary examples of negotiating Neoliberalization versus Democratization. And artists’ observations of transforming cities and the ‘future city’ also feature, as seen in the work of Michael Ruetz (Timescape) Michael Najjar (Netropolis) and Nuno Cera (Futureland). Every Tuesday the “Urban Parliament” opens a forum for debates, in which, among other aims, activists from city initiatives and visitors will prepare the “Berlin Urban Rights Charta”. During a 36-hour conference “Public Space: Fights and Fictions” from 19 to 21 May, a cooperation with the Goethe-Institut, participants from around the world will discuss the developments and threats to public space; www.adk.de/demopolis.
The Kunstmuseum Basel, the world’s oldest municipal art collection, which houses over 4,000 paintings and sculptures, as well as 300,000 drawings and prints from seven decades is about to become richer in space. The main building (opened 1936) and the Kunstmuseum Basel | Gegenwart (opened 1980 and is sited in close vicinity on the banks of the Rhine) are to be complemented by the new building. The 2.740 square metre extension has been designed by renowned Basel-based architects Christ & Gantenbein and is primarily dedicated to the museum’s special exhibition programme. The extension is connected to the main building across the street by an underground passageway, and through many of its elements, it cites the rich architectural language of the main building. This is manifested in the monumental stairway with a central circular skylight, the sgraffito in the open areas of the foyer and the staircases. References to the historical building are also present in the colour qualities of the brick facade as well as the highly refined details in the materials used. Despite homage to the old building, the new extension is a standalone building with its own contemporary architectural identity. The polygonal ground plan comprises a series of well-proportioned rectangular exhibition halls. Particularly impressive are the expansive hallways (around five metres in height) that make up the basement level of the building. The new building blends harmoniously into the heterogeneous structure of Basel’s St. Alban quarter and radiates, quite literally, through the LED frieze woven into the facade, out onto the city. To coincide with the opening of the new building, the inaugural exhibition Sculpture on the Move 1946-2016 will take place. The extensive survey, curated by Bernhard Mendes Bürgi., will map the dynamic evolution of the sculptural form – from its antiquated beginnings to its contemporary context, with works by Alberto Giacometti, Ellsworth Kelly, Richard Serra, Katharina Fritsch, Félix González-Torres and Oscar Tuazon on display.
Since the 1960s the Dreischeibenhaus has defined Dusseldorf’s skyline with its height of 94 meters. It is among the most significant examples of post-war modernist International style and a symbol of the so-called Wirtschaftswunder in West-Germany. Located in Düsseldorf’s city center, the sleek steel and glass building forms an ensemble with the Schauspielhaus and the Kö-Bogen. It´s unusual silhouette is shaped by three slim construction blocks, featuring curtain wall façades made of aluminum and glass, and narrow sides cladded with stainless steel. The building has now been completely refurbished by HPP Hentrich-Petschnigg & Partner with the intention to preserve and highlight its original character from the 60s, which is particularly visible in the iconic lobby with a dark green marble floor, high steel walls, colorful risers, Barcelona-styled chair furniture and even a glass phone box. Beside measures to maintain the old charm, new features were also added to the building, including terraces on the rooftop and the new restaurant Phoenix on the ground floor, hosted by the building owner Patrick Schwarz-Schütte and designed by Etienne Descloux and Irina Kromayer.