With 20 contemporary positions by artists like Anne Imhof, Klára Hosnedlová and He Xiangyu, the Boros Collection presents their next semi-permanent exhibition #4. Inside the monumental bunker, all works reflect on the physical body in one way or another, drawing attention to its fragility, to its (com)modification and objectification through technology—and ultimately questioning our own relationship to our bodies.

In 1968, Bruce Nauman presented his very first European solo exhibition “Six Sound Problems for Konrad Fischer” in Düsseldorf, marking the beginning of what came to be a long-lasting collaboration with the Konrad Fischer Galerie. Now 54 years and 18 solo exhibitions later, Nauman presents the video installation “Practice” at the gallery, a new piece in which he continues to make his body, particularly his hands, the main subject of his work. Framing this installation, the gallery will also show a selection of prints by the artist, which he started during his studies back in the 1960s.

For the 59th International Venice Biennale the Armenian Pavilion is renamed after the notion of “gharīb”, a word of almost-cryptogenic origins that has long been associated with clandestine activities of music making, illegal social clubs and the underground. Sound artist and composer Andrius Arutiunian, experiments with the “gharīb” as a dissonance to the prevailing understanding of time, rhythm and attunement with a series of installations and a central large-scale instrument playing with natural resonances and diaphony.