Gravitational waves are a propagating phenomenon that travel at the speed of light and are caused by, among other things, the collision of black holes. In “Gravity’s Tune”, Kahrs approaches these extra-terrestrial sounds through music in collaboration with composer Louis d’Heudières. Her work, presented at the Schering Stiftung, shows how astrophysics recordings can be used to stimulate our imagination and offer insights in otherwise inaudible and enigmatic celestial wonders.

Magic of the North focuses on Edvard Munch’s pivotal biographical proximity to Berlin. Gripped by the fever for all things Nordic at the time, the Berliner Künstler association invited the young, unknown artists to a solo exhibition in 1892. His colourful paintings shook the public and the exhibition was forced to close shortly after opening. The “Munch Affair”, as the press sardonically called it, is widely considered the beginning of Modernism in Berlin and brought the artists a lot of attention. Riding that wave of shock and awe, Munch discovered Berlin as a place where he could develop his radical modernity and it became one of the most important European hot spots for his career.

Rindon Johnson’s show FIVE at gallery Max Goelitz is based on “Clattering”, a sci-fi novel created in collaboration with writer Rainer Diana Hamilton. The exhibition – mirroring the novel – is a proposition for open-mindedness, multiplicity and stands in opposition to the organizational states of our world, often built on forms of dualism: relationships, hierarchal structures, systems of reproduction and resource control. Mostly using leather for his object-based pieces in the show, he closely examines social conventions and echoes the novel by referencing everything from industrial processes, treatment of human beings, permeability, vulnerability to questions of identity.