Anne Collier’s Woman Crying #1 and Woman Crying #2; courtesy of the artist and Galerie Neu (ACo/F 7)
Galerie Neu presents its first solo exhibition of the Los Angeles-born, New York-based photographic artist Anne Collier, which will trace her career from the early 2000’s up until present day. As one of the most exciting artists’ emerging in the field of photography, her imagery is romantic, sentimental and clichéd. She addresses these themes using a manual 4-by-5-inch camera and chemical processing and printing, a technique overly present in recent works such as Tripod (2016) and 35 MM / 2 ¼” (2016), both which feature in the exhibition. In these works Collier mixes stock advertising photography of camera equipment with materials depicting ostentatious sexism, shot in the neutral space of her studio. In doing this, the artist undertakes an autopsy of the photographic material and subsequently creates paradox between the original intentions of the investigated objects and the absolute control of a studio photography context.
‘American Gothic’ by Rachel Harrison, 2015 courtesy of the artist; Greene Naftali, New York; and Kraupa-Tuskany Zeidler, Berlin; photo: Brian Forrest . ‘Reveal Yourself’ by Ed Fornieles, 2016, courtesy of Arratia Beer. ‘Untitled’, 2014 by Tomi Ungerer courtesy of Michael Fuchs Galerie.
Over the past decade the traditional idea of the exhibition space has shifted and developed. Existing architectural structures, which served alternate public or private functions and purposes, have taken a central role in the viewing and perception of contemporary art. This idea of the new, dynamic gallery setting, which adapts and moves with the times, has taken a central role for Gallery Weekend Berlin – where highly diverse gallery spaces serve to present works of art but also act as places for interaction and exchange between artists, gallerists, collectors and enthusiasts alike. A global plethora of contemporary works by established artists as well as promising newcomers will feature in the Twelfth edition of Gallery Weekend Berlin, with the full line-up comprising: Arratia Beer: Ed Fornieles / Galerie Guido W. Baudach: Andy Hope 1930 / Blain Southern: Harland Miller / Galerie Isabella Bortolozzi: Oscar Murillo; Stephen G. Rhodes / BQ: Jochen Lempert / Galerie Buchholz: Wolfgang Tillmans / Buchmann Galerie: Bettina Pousttchi; Daniel Buren / Capitain Petzel: Christopher Williams / Carlier Gebauer: Mark Wallinger; Iman Issa / Contemporary Fine Arts: Gert & Uwe Tobias; Christian Rosa / Mehdi Chouakri: Philippe Decrauzat / Crone: Hanne Darboven / Croy Nielsen: Sebastian Black; Megan Rooney / Delmes & Zander: Horst Ademeit / Galerie Eigen + Art: Carsten Nicolai / Konrad Fischer Galerie: Alice Channer / Michael Fuchs Galerie: Tomi Ungerer / Gerhardsen Gerner: Jim Lambie / Galerie Michael Haas: Paula Modersohn-Becker; Leiko Ikemura / Galerie Max Hetzler: Edmund de Waal / Johnen Galerie: Martin Honert / Kewenig: Ghada Amer / Kicken Berlin: Sibylle Bergemann, Rudi Meisel, Gabriele und Helmut Nothhelfer, Helga Paris, Petra Wunderlich, Ulrich Wüst / Klemm’s: Bernard Piffaretti / Helga Maria Klosterfelde Edition: Rirkrit Tiravanija / König Galerie: Annette Kelm; K.H. Hödicke; Katharina Grosse, Jeppe Hein, Camille Henrot, Alicija Kwade, Michael Sailstorfer, Tatiana Trouvé, David Zink Yi / KOW: Tobias Zielony; Hiwa K / Kraupa-Tuskany Zeidler: Rachel Harrison / Tanya Leighton: Aleksandra Domanovic / Daniel Marzona: Olaf Holzapfel / Mathew Gallery: Richard Phillips / Meyer Riegger: Miriam Cahn / Galerie Nagel Draxler: Egan Frantz; Günther Förg, Hans-Jörg Mayer, Martin Kippenberger, Heimo Zobernig / Galerie Neu: Anne Collier; Victor Man / neugerriemschneider: Tobias Rehberger / Galerie Nordenhake: Michael Schmidt / Peres Projects: Mike Bouchet / Galeria Plan B: Victor Man / Galerija Gregor Podnar: Julije Knifer / PSM: Eduardo Basualdo / Aurel Scheibler: Ernst Wilhelm Nay / Esther Schipper: Tomás Saraceno / Galerie Micky Schubert: Ketuta Alexi-Meskhishvili / Galerie Thomas Schulte: Idris Khan; Daniel Buren / Société: Petra Cortright / Sprüth Magers: Thea Djordjadze; Craig Kauffman; Alexandre Singh / Supportico Lopez: Adriano Costa / Galerie Barbara Thumm: Diango Hernández / VW (Veneklasen Werner): Pat O’Neill / Galerie Barbara Weiss: Maria Eichhorn / Wentrup: Peles Empire / Kunsthandel Wolfgang Werner: Per Kirkeby / Barbara Wien: Michael Rakowitz / Zak Branicka: KwieKulik.
Victor Man’s ‘Connaissez-vous des Esseintes’, 2015 and ‘Lermontov Dansant Come Saint Sebastien’, 2014; courtesy of the artist and Galerie Neu
Evoking literary and cultural references, historical moments, and personal history, Victor Man is an artist and painter who proposes new connections between seemingly unrelated images, objects, and events, in order to create works that break with the traditional linear nature of composition. Drawing on notions of myth, legend, and imagination, he explores the impact of the passage of time on our personal histories and narratives and thus creates new aesthetic modes of encountering and understanding the present. Galerie Neu‘s Mehringdamm 72 is presenting an exhibition of work by the prolific Romanian painter – where along with new paintings focussing on portraiture, and a display case of handmade knives, the artist fully utilises the gallery setting as a medium intrinsic to his practice through the installation of 17th century graffiti on a Piero della Francesca fresco, which serves as a springboard for a murky set of possible narratives about artistic paternity, failure and flight.
Schinkel Pavillon present artists’ Shahryar Nashat and Adam Linder, who work collaboratively to stage two parallel projects, where they place their respective practices – sculpture and dance within an interactive dialogue. For the time-based intervention Some Strands of Support, Nashat will exhibit sculpture work paired with video, whilst Linder activates these works by responsive choreography entitled Hard Up for Support. These sculptural, filmic and performative elements are presented in a sequence and accompanied by a specially conceived sound-track. Through the collaboration and different disciplines employed, a tension is created between the ethereal presence of the performative body, film and of sculpture. The Pavilion’s Schinkel Klause is a site for artist Hannah Weinberger’s PERFORMANCE PERFORMANCE – a participatory performative work, which involves an invited group of musicians who create a social space through music. Weinberg leads the musicians on atmospheric directive but keeps the door open for interpretation of individual style, and in turn creates unique performances within diverse and arbitrary concert hall environment. This concert evolves into a social experiment for the artist, where she questions the relationships between the audience and performer and creates a sensibility for our everyday aesthetic, societal and cultural relations.
Shahryar Nashat’s ‘Hard up Support’, 2016, courtesy of Schinkel Pavillon, Silberkuppe, Berlin and Rodeo, London. Hannah Weinberger’s ‘Art and Life’ at Klanginstallation, 2014.
Galerie Jochum Rodgers‘ exhibition Interiors Palazzo Scalini travels to the era of the Liberty style, where remarkable interior objects by Italian Art nouveau designer, ceramicist and visionaire Galileo Chini in collaboration with architect Carlo Spiccianl, will be on show. Chini’s fascination with cultures took him around the world, most notably to Siam, where he became inspired by Eastern aesthetics. He later incorporated these details into highly decorative furniture pieces, most notably for the joint commission with Spiccianl for the redesign of Palazzo Scalini. Upholstered leather chairs in striking red and gold are some of the works from this collaboration, which are on display for the first time in the exhibition. The parallel presentation of design innovation – Light by Stilnovo, Italy 1950-1960, documents lamps from the early production of the iconic lighting studio Stilnovo – with numerous models from the manufacturers’ 50’s and 60’s heyday.
Courtesy of Galerie Jochum Rodgers
The Federal Office of Culture (FOC) has announced the laureates of the Swiss Grand Award for Design 2016 – textile designer Claudia Caviezel, furniture and interior designer Hans Eichenberger and graphic designer Ralph Schraivogel. They will receive their honours at the opening of the Swiss Design Awards 2016 In June in Basel. The exhibition runs in parallel with Art Basel and DesignMiami and will present interviews, in-depth profiles and photographic portraits of the award recipients. The awards launched in 2007 in order to highlight the work of well-known designers, which exemplify quality, relevance and dynamism of Swiss design practice both nationally and internationally.
Swiss Grand Award for Design 2016
Located in Frankfurt’s historical Alt-Sachsenhausen, LIBERTINE LINDENBERG is a subscriber to the new shareconomy concept. Like its sister LINDENBERG RÜCKERTSTRASSE, which opened in Frankfurt Ostend in 2012, it is a relaxed community with the service options of a hotel, where guests can stay a night, a month or an entire year. The residents determine which amenities they use from laundry and grocery services, cooking on their own in the open kitchen, home-made snacks from the Lekker shop or meals prepared by the chef, to renting bikes, a vintage Vespa and a revamped camper van. Franzen Architects worked with the key heritage features of the historical Wilhelminian building, restoring the natural stone façade that is in keeping with the area’s architectural identity. Inside the building a full modernisation has taken place to include a multistorey gabled annex, a publicly accessible living room cafe, an open kitchen, a bodega-style Lekker shop and an analog recording studio LOTTE LINDENBERG (with its very own record label). The interiors are contrasting with rooms split boldly in furnishings manufactured in pastel and black with artisan crafted accessories, products, and decorations all lending themselves to the visual concept. Breakfast and lunch is served in LIBERTINE’s living room cafe – a room adorned with contemporary art, where guests can order from a changeable menu whilst the open kitchen on the top floors offers a space for no-frills shared cooking. The house’s own Lekker shop offers a rich selection of home-grown products, including biodynamic and vegan options. Whether it is just for a night or forever, staying at LIBERTINE means finding a home in a versatile carefree guest community.
© LIBERTINE LINDENBERG
Sarah Lucas artwork at Petit Royal; photo © Stefan Korte
With its grilled seafood, top-quality steaks and extensive champagne list, Grill Royal has long been a fixture on the Berlin fine-dining scene. Since opening Pauly Saal in the Former Jewish Girls’ School in 2012, and Dóttir in the Mitte district three years ago, the founders: Stephan Landwehr, Boris Radczun and Moritz Estermann, have opened their fourth venture, which has 50 seats and is under the direction of Jeanne Tremsal. Their first venture in the West – Le Petit Royal is located in leafy Charlottenburg at Grolmanstrasse 59, on the ground floor of a Wilhelminian period building with large windows, wooden floors and a winding guest room. The dominant style of the restaurant is mid-century, with many of the tables custom made to fit in the intricate spaces of the building. Rubelli fabrics and the use of oak create a sense of Italy, while cabin swinging doors, bespoke wardrobes and a walk-in wine cabinet holding nearly 500 international wines ensure a classic European feel. The menu offers Grill Royal classics mixed with French elegance – dishes of fresh fish from the Baltic Sea, seafood, oysters, and modern interpretations of French classics such as coq au vin are on offer, all of which is complemented by an extensive wine catalogue. The restaurant’s collection of contemporary art, which includes a wall piece by Karl Holmqvist, a drawing by Yves Saint Laurent and a large sculpture by Yngve Holen is also a highlight.
Childhood gang and gastro trio Oskar Melzer, James and David Ardinast’s latest food venture in Berlin’s Kreuzberg is the third diner named after a member of the Kosher Nostra. Louis Pretty mixes walnut-wooden e15 chairs, pink padded sofas and swimming pool-blue tables – for a contemporary spin on Palm Springs modernism. The menu is a Jewish-American fare and the dishes are to the point whilst still referencing traditional recipes. Head chef Joey Pasarella’s signature dish is a brisket that’s cured for a month, smoked, cooked and marinated to create pastrami that is served in different versions, such as on rye with gherkin and slaw. There’s a further selection of sandwiches, to matzah ball soup, salad with roasted cauliflower, chickpeas and a harissa dressing plus homemade desserts such as New York cheesecake with blueberry coulis. American diner-style filter coffee and lemonades are offer and a selection of wines and long drinks can take you into the evening. Everything can be ordered to go or eat in, for breakfast, lunch or dinner and a catering service is offered, so that classic Americana can be tailored to every event.
Social, political, economic and cultural issues are increasingly being framed and contested in the public realm, and consequently city dwellers are demanding their say in the decisions affecting these public spaces. DEMO:POLIS – The Right to Public Space, the Akademie der Künste’s major spring exhibition is an ambitious inquiry into these timely issues surrounding public space. Through an exhibition format, programme of special events, interactive discussions, symposiums, and a publication DEOM:POLIS addresses the options the public has in shaping its own cities – asking questions – how can we reclaim public space and tactically use it? And how do we imbue it with new meaning? The exhibition, curated by the architect Wilfried Wang, who is the deputy director of the architecture section of the Akademie der Künste, shows spatial designs and urban planning that affects small squares to entire strips of coast. Additionally, there is documentation from demonstrations, protests and art interventions that were known to ‘safeguard’ public space, such as White American Flags by Wermke/Leinkauf. Also part of the exhibition are profiles on projects La Ventana al Mar in San Juan by Puerto Rican architect Andrés Mignucci and Sports Park Stožice in Ljubljana by Sadar + Vuga, which amongst others, are deemed extraordinary examples of negotiating Neoliberalization versus Democratization. And artists’ observations of transforming cities and the ‘future city’ also feature, as seen in the work of Michael Ruetz (Timescape) Michael Najjar (Netropolis) and Nuno Cera (Futureland). Every Tuesday the “Urban Parliament” opens a forum for debates, in which, among other aims, activists from city initiatives and visitors will prepare the “Berlin Urban Rights Charta”. During a 36-hour conference “Public Space: Fights and Fictions” from 19 to 21 May, a cooperation with the Goethe-Institut, participants from around the world will discuss the developments and threats to public space; www.adk.de/demopolis.