Anne Collier’s Woman Crying #1 and Woman Crying #2; courtesy of the artist and Galerie Neu (ACo/F 7)
Galerie Neu presents its first solo exhibition of the Los Angeles-born, New York-based photographic artist Anne Collier, which will trace her career from the early 2000’s up until present day. As one of the most exciting artists’ emerging in the field of photography, her imagery is romantic, sentimental and clichéd. She addresses these themes using a manual 4-by-5-inch camera and chemical processing and printing, a technique overly present in recent works such as Tripod (2016) and 35 MM / 2 ¼” (2016), both which feature in the exhibition. In these works Collier mixes stock advertising photography of camera equipment with materials depicting ostentatious sexism, shot in the neutral space of her studio. In doing this, the artist undertakes an autopsy of the photographic material and subsequently creates paradox between the original intentions of the investigated objects and the absolute control of a studio photography context.
‘American Gothic’ by Rachel Harrison, 2015 courtesy of the artist; Greene Naftali, New York; and Kraupa-Tuskany Zeidler, Berlin; photo: Brian Forrest . ‘Reveal Yourself’ by Ed Fornieles, 2016, courtesy of Arratia Beer. ‘Untitled’, 2014 by Tomi Ungerer courtesy of Michael Fuchs Galerie.
Over the past decade the traditional idea of the exhibition space has shifted and developed. Existing architectural structures, which served alternate public or private functions and purposes, have taken a central role in the viewing and perception of contemporary art. This idea of the new, dynamic gallery setting, which adapts and moves with the times, has taken a central role for Gallery Weekend Berlin – where highly diverse gallery spaces serve to present works of art but also act as places for interaction and exchange between artists, gallerists, collectors and enthusiasts alike. A global plethora of contemporary works by established artists as well as promising newcomers will feature in the Twelfth edition of Gallery Weekend Berlin, with the full line-up comprising: Arratia Beer: Ed Fornieles / Galerie Guido W. Baudach: Andy Hope 1930 / Blain Southern: Harland Miller / Galerie Isabella Bortolozzi: Oscar Murillo; Stephen G. Rhodes / BQ: Jochen Lempert / Galerie Buchholz: Wolfgang Tillmans / Buchmann Galerie: Bettina Pousttchi; Daniel Buren / Capitain Petzel: Christopher Williams / Carlier Gebauer: Mark Wallinger; Iman Issa / Contemporary Fine Arts: Gert & Uwe Tobias; Christian Rosa / Mehdi Chouakri: Philippe Decrauzat / Crone: Hanne Darboven / Croy Nielsen: Sebastian Black; Megan Rooney / Delmes & Zander: Horst Ademeit / Galerie Eigen + Art: Carsten Nicolai / Konrad Fischer Galerie: Alice Channer / Michael Fuchs Galerie: Tomi Ungerer / Gerhardsen Gerner: Jim Lambie / Galerie Michael Haas: Paula Modersohn-Becker; Leiko Ikemura / Galerie Max Hetzler: Edmund de Waal / Johnen Galerie: Martin Honert / Kewenig: Ghada Amer / Kicken Berlin: Sibylle Bergemann, Rudi Meisel, Gabriele und Helmut Nothhelfer, Helga Paris, Petra Wunderlich, Ulrich Wüst / Klemm’s: Bernard Piffaretti / Helga Maria Klosterfelde Edition: Rirkrit Tiravanija / König Galerie: Annette Kelm; K.H. Hödicke; Katharina Grosse, Jeppe Hein, Camille Henrot, Alicija Kwade, Michael Sailstorfer, Tatiana Trouvé, David Zink Yi / KOW: Tobias Zielony; Hiwa K / Kraupa-Tuskany Zeidler: Rachel Harrison / Tanya Leighton: Aleksandra Domanovic / Daniel Marzona: Olaf Holzapfel / Mathew Gallery: Richard Phillips / Meyer Riegger: Miriam Cahn / Galerie Nagel Draxler: Egan Frantz; Günther Förg, Hans-Jörg Mayer, Martin Kippenberger, Heimo Zobernig / Galerie Neu: Anne Collier; Victor Man / neugerriemschneider: Tobias Rehberger / Galerie Nordenhake: Michael Schmidt / Peres Projects: Mike Bouchet / Galeria Plan B: Victor Man / Galerija Gregor Podnar: Julije Knifer / PSM: Eduardo Basualdo / Aurel Scheibler: Ernst Wilhelm Nay / Esther Schipper: Tomás Saraceno / Galerie Micky Schubert: Ketuta Alexi-Meskhishvili / Galerie Thomas Schulte: Idris Khan; Daniel Buren / Société: Petra Cortright / Sprüth Magers: Thea Djordjadze; Craig Kauffman; Alexandre Singh / Supportico Lopez: Adriano Costa / Galerie Barbara Thumm: Diango Hernández / VW (Veneklasen Werner): Pat O’Neill / Galerie Barbara Weiss: Maria Eichhorn / Wentrup: Peles Empire / Kunsthandel Wolfgang Werner: Per Kirkeby / Barbara Wien: Michael Rakowitz / Zak Branicka: KwieKulik.
Victor Man’s ‘Connaissez-vous des Esseintes’, 2015 and ‘Lermontov Dansant Come Saint Sebastien’, 2014; courtesy of the artist and Galerie Neu
Evoking literary and cultural references, historical moments, and personal history, Victor Man is an artist and painter who proposes new connections between seemingly unrelated images, objects, and events, in order to create works that break with the traditional linear nature of composition. Drawing on notions of myth, legend, and imagination, he explores the impact of the passage of time on our personal histories and narratives and thus creates new aesthetic modes of encountering and understanding the present. Galerie Neu‘s Mehringdamm 72 is presenting an exhibition of work by the prolific Romanian painter – where along with new paintings focussing on portraiture, and a display case of handmade knives, the artist fully utilises the gallery setting as a medium intrinsic to his practice through the installation of 17th century graffiti on a Piero della Francesca fresco, which serves as a springboard for a murky set of possible narratives about artistic paternity, failure and flight.
Schinkel Pavillon present artists’ Shahryar Nashat and Adam Linder, who work collaboratively to stage two parallel projects, where they place their respective practices – sculpture and dance within an interactive dialogue. For the time-based intervention Some Strands of Support, Nashat will exhibit sculpture work paired with video, whilst Linder activates these works by responsive choreography entitled Hard Up for Support. These sculptural, filmic and performative elements are presented in a sequence and accompanied by a specially conceived sound-track. Through the collaboration and different disciplines employed, a tension is created between the ethereal presence of the performative body, film and of sculpture. The Pavilion’s Schinkel Klause is a site for artist Hannah Weinberger’s PERFORMANCE PERFORMANCE – a participatory performative work, which involves an invited group of musicians who create a social space through music. Weinberg leads the musicians on atmospheric directive but keeps the door open for interpretation of individual style, and in turn creates unique performances within diverse and arbitrary concert hall environment. This concert evolves into a social experiment for the artist, where she questions the relationships between the audience and performer and creates a sensibility for our everyday aesthetic, societal and cultural relations.
Shahryar Nashat’s ‘Hard up Support’, 2016, courtesy of Schinkel Pavillon, Silberkuppe, Berlin and Rodeo, London. Hannah Weinberger’s ‘Art and Life’ at Klanginstallation, 2014.
Galerie Jochum Rodgers‘ exhibition Interiors Palazzo Scalini travels to the era of the Liberty style, where remarkable interior objects by Italian Art nouveau designer, ceramicist and visionaire Galileo Chini in collaboration with architect Carlo Spiccianl, will be on show. Chini’s fascination with cultures took him around the world, most notably to Siam, where he became inspired by Eastern aesthetics. He later incorporated these details into highly decorative furniture pieces, most notably for the joint commission with Spiccianl for the redesign of Palazzo Scalini. Upholstered leather chairs in striking red and gold are some of the works from this collaboration, which are on display for the first time in the exhibition. The parallel presentation of design innovation – Light by Stilnovo, Italy 1950-1960, documents lamps from the early production of the iconic lighting studio Stilnovo – with numerous models from the manufacturers’ 50’s and 60’s heyday.
Courtesy of Galerie Jochum Rodgers
Located in Frankfurt’s historical Alt-Sachsenhausen, LIBERTINE LINDENBERG is a subscriber to the new shareconomy concept. Like its sister LINDENBERG RÜCKERTSTRASSE, which opened in Frankfurt Ostend in 2012, it is a relaxed community with the service options of a hotel, where guests can stay a night, a month or an entire year. The residents determine which amenities they use from laundry and grocery services, cooking on their own in the open kitchen, home-made snacks from the Lekker shop or meals prepared by the chef, to renting bikes, a vintage Vespa and a revamped camper van. Franzen Architects worked with the key heritage features of the historical Wilhelminian building, restoring the natural stone façade that is in keeping with the area’s architectural identity. Inside the building a full modernisation has taken place to include a multistorey gabled annex, a publicly accessible living room cafe, an open kitchen, a bodega-style Lekker shop and an analog recording studio LOTTE LINDENBERG (with its very own record label). The interiors are contrasting with rooms split boldly in furnishings manufactured in pastel and black with artisan crafted accessories, products, and decorations all lending themselves to the visual concept. Breakfast and lunch is served in LIBERTINE’s living room cafe – a room adorned with contemporary art, where guests can order from a changeable menu whilst the open kitchen on the top floors offers a space for no-frills shared cooking. The house’s own Lekker shop offers a rich selection of home-grown products, including biodynamic and vegan options. Whether it is just for a night or forever, staying at LIBERTINE means finding a home in a versatile carefree guest community.
© LIBERTINE LINDENBERG
© Steve Herud
With the opening of PHOENIX Restaurant & Bar, Dusseldorf has gained a new place to meet, to eat well, to linger and to feel at ease. Located on the ground floor of the iconic Dreischeibenhaus and hosted by the building’s owner Patrick Schwarz-Schütte, the restaurant provides guests with modern interpretations of classic, seasonal dishes such as Fjord trout with avocado salsa and braised ox cheek with truffled polenta. Irina Kromayer and Etienne Descloux were responsible for the design and interiors of PHOENIX. Materials, forms and colours from this historic, listed building have been taken on, incorporated and reinterpreted.
© Steve Herud
The Deutsches Architekturmuseum (DAM) has been chosen to curate the German Pavilion at the 15th Venice Architecture Biennale in 2016 presenting the exhibition “Making Heimat. Germany, Arrival Country”.
The current refugee situation is part of a massive worldwide flow of migrants. It leads people from the countryside into cities. What are the challenges facing cities with incoming refugees and migrants? Where in Germany are the preferred “arrival cities” located? How do newcomers become socially integrated citizens? And how can architecture and urban design contribute to this process? Taking as a starting point the hypotheses put forward by the Canadian journalist Doug Saunders in his best selling non-fiction book ‘Arrival City’, the DAM team – comprising Peter Cachola Schmal, general commissioner and director of the DAM, Oliver Elser, curator at DAM and the project coordinator Anna Scheuermann, with Saunders as advisor, examines these questions in the exhibition “Making Heimat” in the German Pavilion. How, in the future, can Germany’s “arrival cities”, such as Offenbach am Main respond and hypothetically shape the conditions that create a good ‘Arrival City’? The 15th International Architecture Exhibition – La Biennale di Venezia runs from May 28 – November 27, 2016.
With 100 issues and a quarter century of politically and theoretically driven art criticism to its name, Texte zur Kunst has made a mark on the German/English speaking art world. Both in the role it’s played in establishing many, now universally acclaimed artists and in the evolution of the primary art critical methods used in this field, Texte zur Kunst has, since the early 1990s, certainly shaped the common canon – and even produced a canon of its own. The gala-conference Canon Today presents twenty-five writers, artists, and theorists from different generations, via various forms of performances, dialogues, and short talks.
25 Years of Texte zur Kunst, Photo: Ilya Lipkin
Known for her avantgarde and constantly good taste, entrepreneur Nicole Hogerzeil has established herself as trustworthy style pioneer. Hogerzeil presents her favorite labels such as Dries von Noten, Marni, Isabel Marant, Common Projects and Perret Schaad in her new store SCHWARZHOGERZEIL on Torstrasse — taking the best and new designers from her two former stores. The layout of the 150 m2 space was conceived by the interior designer Sylvester Koziolek, who combines 1940s Parisian charm, inspired by Jean Prouvé, Le Corbusier and Charlotte Perriand, with modern elements such as neon lighting and unique objects. The dominating, dark blue tones are echoed in the walls and the furniture, complementing the 14 meter long collage and curved lamps inspired by Royére. Keeping the same sense of individuality that Hogerzeil has assembling her clothing, Koziolek has created an environment to match her elegant assortment.