On the last weekend of June (29. – 30.) in Berlin and the first weekend of July (6. – 7.) in Paris, the fourth edition of Berlin-Paris, a gallery exchange project illuminates the artistic tendencies of the two capital cities by presenting around 60 artists and creating new impetuses through its selection of galleries. One of the new features introduced in this year´s edition is the involvement of artistic interventions organized by the curator collectives The Office and Le Bureau/.
CARLIER | GEBAUER – MARCELLE ALIX
CHERT and MOTTO – CNEAI=
GALERIE CAMPAGNE PREMIÈRE – EMMANUEL HERVÉ
GALERIE ULRICH FIEDLER – JOUSSE ENTREPRISE
GALERIE ZINK – ALMINE RECH GALLERY
KLEMM’S – TORRI
MEHDI CHOUAKRI – GALERIE 1900-2000
Credits: Mark Hagen: Additive Painting #73, 2011 | Pierre Jeanneret Group: Kangoo Sofa, 1960, Courtesy Jousse Entreprise/ Photo Adrien Dirand | Yona Friedman: Architecture without building, Edition CNEAI, 2012 | Jérémie Gindre: Entrance to Cavern, 2012, Courtesy Chert, Berlin | Sophie Nys: Parque do Flamengo, 2012, Courtesy Galerie Emmanueal Hervé.
BERLIN-PARIS, THE OFFICE
Matzoh ball soup, shakshouka, american beef brisket to various patés, homemade desserts and regional jams are the new daily business for Oskar Melzer and Paul Mogg. Serving home-made Jewish American cuisine, Mogg & Melzer Delicatessen brings classic New York food culture to town. Since end of April the deli is opened every day of the week for breakfast, lunch or dinner at the Ehemalige Jüdische Mädchenschule. The food is available to take away or to enjoy indoors sitting on benches made by the Berlin furniture manufacturer Tipla or the Pirkka chairs by the Finnish designer Illmari Tapiovaara.
Photos: Steve Herud
MOGG & MELZER
Credits: Vertreterempfang in Falstaff Rundgang Minister Mozambique 16.03.1978 | Leuchtenbau Leipzig Polytechnik MMM Austellung, 08.05.1974; both images ©Archiv Mende
Double Bound Economies begins with a photo archive from the German Democratic Republic (GDR) by photographer Reinhard Mende. Produced as commissioned works, the photographs dramatize the situation of productions in “Volkseigene Betriebe” and the “Internationale Leipziger Messe” from 1967 to 1990. From the archive, Double Bound Economies moves toward contemporary artistic and spatial positions, historical and theoretical analyses, and the production of a video project. Artists, theorists, scholars, and former participants were invited to view, comment on, or select from the archive. This collective work method resulted in a polyphonic dramatization of the archive while also reporting on a nonlinear approach to the GDR.
Credits: Installationview | Olaf Nicolai, Girlfriends, 2012 | Kiluanji Kia Henda: Karl Marx Luanda, 2006
Following the presentation in Leipzig, Double Bound Economies will be exhibited at the Centre de la Photographie, Geneva (September–October 2012) and at the Swiss Federal Institute of Technology, Zurich (January–February 2013).
HALLE 14 Zentrum für zeitgenössische Kunst Leipziger Baumwollspinnerei
GALERIE HANS-PETER JOCHUM
Furniture by Olivetti, Ugo Sissa, Studio BBPR, Gabetti e Isola, Sottsass, Hans von Klier, Leclerc, Aulenti
13.04. – 09.06.2012
GALERIE ULRICH FIEDLER
Ettore Sottsass | The 1950s
13.04. – 23.06.2012
Exhibition view ETTORE SOTTSASS | OLIVETTI CONNECTION, Hans-Peter Jochum
Architect and Designer Ettore Sottsass has had a long standing, tight working connection with the house of Olivetti, a productive connection that is the focus of two parallel exhibitions: Ettore Sottsass at Ulrich Fiedler, and Olivetti Connection at Hans-Peter Jochum. The show at Ulrich Fiedler Gallery features Ettore Sottsass’ work from the fifties, while Hans-Peter Jochum is exhibiting the Olivetti Connection, a show dedicated to key exponents from the design and architecture archives of the OLIVETTI business empire – objects whose breadth and significance was determined by the likes of Ettore Sottsas, Ugo Sissa, Studio BBPR and Hans von Klier.
Credits: Ugo Sissa, Sofa from Casa Campagnolo, 1942-1943 | Chest Of Drawer by Designer Hans von Klier | Cabinet, Casa Astrua, ca. 1955 | Enamel, produced by Il Sestante-Milan, 1958 | Newspaper rack, Casa Astrua, ca. 1955
GALERIE ULRICH FIEDLER, HANS-PETER JOCHUM
In February 2012, the listed building of the Ehemalige Jüdische Mädchenschule – a former Jewish girls’ school in Auguststrasse in Berlin opened as a space for art and cuisine. Following historically suitable restoration, the building was made available to the public after years of vacancy. The former classrooms and corridors present changing exhibitions by different actors from the art world. Camera Work Contemporary opened a Gallery on the first floor. Michael Fuchs Galerie exhibits works in the former assembly hall on the third floor. He shares the floor with EIGEN + ART Lab, an exhibition format for international artists.
In the former gymnasium, the restaurant Pauly-Saal offers guests regional and seasonal German cuisine during the day and in the evenings – adjoined is the Pauly-Bar. In the private dining rooms, The Kosher Classroom serves three times per week certified kosher cuisine, including a traditional Sabbath dinner. Mogg & Melzer Delicatessen sells homemade pastrami and other meat specialties, as well as products from the Pauly-Saal and The Kosher Classroom – to eat in or to take away.
Photos: Stefan Korte
Credit: Matthey Barney: cremaster 3: plumb line, 2001, courtesy the artist
Christoph Schlingensief worked on the idea for the Operndorf Afrika (Opera Village Africa) from 2008 onwards. He conceived it as a place for intercultural encounters and experiments, as well as an artistic reservoir for the future. Auktion 3000 at Hamburger Bahnhof – Museum für Gegenwart in Berlin will help the Operndorf Afrika to grow. Numerous internationally renowned artists donated works for this fundraiser, among them Marina Abramovic, Matthew Barney, Pipilotti Rist, Olafur Eliasson, Andreas Gursky, Patty Smith, Wolfgang Tillmans, and Günther Uecker.
Credits: Elmgreen & Dragset: top & bottom, 200, courtesy the artists | Patti Smith: untitled (door), 2010 | Andy Hope 1930 kara zor-el, 1998-2004
AUKTION 3000, CHRISTOPH SCHLINGENSIEF
Berlin’s Auguststraße has a new place to eat and drink – the team behind the Grill Royal opened their new restaurant Pauly Saal in the Jüdische Mädchenschule. The ingredients-based cuisine will be prepared to the highest standards by starred chef Michael Höpfl. It’s about all things braised, sautéed, salted or marinated. Sausages will be made, vegetables pickled, breads baked in wood-fired ovens, pastries prepared onsite. In addition to stews served in cast iron pots, suckling pig from the rotisserie and traditional offal dishes will be on the menu. The former gymnasium of the school was remodeled and furnished according to the owners’ designs. Thus, all materials have been manufactured especially for this project, whether the ceramic tiles from Berlin, the extraordinary Murano chandeliers, or the chairs covered with dark green fabric.
Photos: Stefan Korte
Berlin architects ROBERTNEUN redefine inner city living and create open space condominiums on empty urban planning sites at the southern point of Gleisdreieck. The scheme for Am Lokdepot reflects an unconventional, experimental approach to alternative and future-oriented living structures, implemented on behalf of the UTB property development company, LLC. The project will repurpose a defunct Berlin railroad area occupying some 28,000 sqm , while maintaining its industrial flair. Am Lokdepot (at the locomotive rail yard) is an urban planning endeavor for the development of inner city space that has recently become available, which will transform the disused railway ground at Gleisdreieck into a public living space.
Image ©Schinkel Pavillon
Art, in Saâdane Afif’s highly reflexive practice, becomes words, music and movement, metamorphosing from one art form into another with the help of talented collaborators. Inviting writers to respond to physical artworks, and musicians and actors to respond to their texts, Afif transposes the visual into other senses, projecting the imaginary expense of a piece through the interpretations of others. At Schinkel Pavillon his work completes a full circle, turning lyrics formed in response to previous pieces, by way of performance by Katja Schrade and porcelain by Nymphenburg, into sculpture, and in doing so sealing the process.
Credits: Performance Image ©Schinkel Pavillon | In the making, courtesy the artist
Credit: Sven Temper, Rungezimmer ©Hans-Peter Jochum, courtesy the artist
The exhibition Furniture as a Model at Galerie Hans-Peter Jochum in Berlin featured the works of Berlin based designer Sven Temper. Individual items of furniture designed specifically for the room they are intended for, Sven Temper’s artistic design process follows defining furniture as functional articles for daily use, whereby the conceptualities of fine art and applied art form the basis. The exhibition further presented the “Rungezimmer”, which Temper designed for the Philipp Otto Runge commemorative year at the Kunsthaus Hamburg 2011.