The Schering Stiftung brings Jenna Sutela’s latest work together: a bubbling installation resembling a fountain, “HMO Nutrix,” and the poetically narrated film “Milky Ways.” Both deal with one of the most complex human fluids: breast milk. Drawing on her research in feedback mechanisms between human and non-human life forms, she explores the implications of synthetically produced body milk in the food industry, the symbiosis of humans and microorganisms and the mythological creation of the Milky Way galaxy. 

Ludwig Forum Aachen presents with “Bad Words” a survey of more than one hundred works produced over ten years by New York-based artist Keren Cytter. Highlighting text and language as crucial elements in her practice, the exhibition combines for the first time all of the artist’s fields of interest: film, soap operas, theatre, sculptures, drawings, zine- and book-making as well as life coach guides. The show was festively inaugurated with “Cold Summer”, a two-day program with readings, concerts and performances curated by Cytter herself. 

Marking the 150th birthday of Piet Mondrian, the Fondation Beyeler presents the “Mondrian Evolution” retrospective. With over 85 paintings, the entire museum will be dedicated to the painter’s more unusual and lesser-known phases. Beyond the lengthy transition from traditional landscape painting, to the exploration of new Parisian avant-garde techniques and his much acclaimed process of abstraction there is much more to discover. Namely, the traces of the artists he learned from, such as Van Gogh, Picasso and George Braque, or the cities where he worked: New York, Paris and London.

With 20 contemporary positions by artists like Anne Imhof, Klára Hosnedlová and He Xiangyu, the Boros Collection presents their next semi-permanent exhibition #4. Inside the monumental bunker, all works reflect on the physical body in one way or another, drawing attention to its fragility, to its (com)modification and objectification through technology—and ultimately questioning our own relationship to our bodies.

In 1968, Bruce Nauman presented his very first European solo exhibition “Six Sound Problems for Konrad Fischer” in Düsseldorf, marking the beginning of what came to be a long-lasting collaboration with the Konrad Fischer Galerie. Now 54 years and 18 solo exhibitions later, Nauman presents the video installation “Practice” at the gallery, a new piece in which he continues to make his body, particularly his hands, the main subject of his work. Framing this installation, the gallery will also show a selection of prints by the artist, which he started during his studies back in the 1960s.